<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5736293148164752229</id><updated>2012-01-26T00:04:48.493-08:00</updated><category term='pervasive urban gaming'/><category term='biological'/><category term='control'/><category term='callibration'/><category term='kinetic sculpture'/><category term='virilio'/><category term='arson'/><category term='recombinant'/><category term='immigration'/><category term='robot'/><category term='actor'/><category term='representation'/><category term='privacy'/><category term='events'/><category term='surveillance'/><category term='www.ntticc.or.jp'/><category term='position art'/><category term='perception'/><category term='situationist'/><category term='audio'/><category term='wall'/><category term='kinetic'/><category term='qr codes'/><category term='projection'/><category term='emily jacir'/><category term='portal'/><category term='video'/><category term='novak'/><category term='virtual'/><category term='social art'/><category term='motion graphics'/><category term='interactivity'/><category term='parking'/><category term='expanded'/><category term='baudrillard'/><category term='phenomena'/><category term='computation'/><category term='visualization'/><category term='reality'/><category term='public space'/><category term='wifi'/><category term='outdoor advertising'/><category term='automobiles'/><category term='ephemeral'/><category term='field'/><category term='augmented sculpture'/><category term='inflatable'/><category term='construct'/><category term='jitter'/><category term='tactical media'/><category term='memory'/><category term='Scott Paterson'/><category term='mediascapes'/><category term='biotech'/><category term='agamben'/><category term='actor network theory'/><category term='hybrid space'/><category term='climbing'/><category term='autonomy'/><category term='banal'/><category term='text'/><category term='gary hill'/><category term='wearable'/><category term='mid-term'/><category term='multi-place'/><category term='network'/><category term='panopticon'/><category term='vague terrain'/><category term='musak'/><category term='painting'/><category term='introduction'/><category term='gestural interface'/><category term='Jaron Lanier'/><category term='breton'/><category term='thresholds'/><category term='documentary'/><category term='advertising'/><category term='military'/><category term='street theater'/><category term='sensory'/><category term='movement'/><category term='politic'/><category term='temporal'/><category term='logo'/><category term='interface'/><category term='roland barthes'/><category term='portable'/><category term='color like no other'/><category term='ubicomp'/><category term='sound'/><category term='planning'/><category term='passages'/><category term='ambient music'/><category term='urban space'/><category term='sonification'/><category term='trent reznor'/><category term='punk rock'/><category term='situationists'/><category term='new york'/><category term='cctv'/><category term='gesture'/><category term='theory'/><category term='speed'/><category term='tides'/><category term='psychological space'/><category term='perspective'/><category term='live cinema'/><category term='constant'/><category term='interruption'/><category term='hybrid reality'/><category term='body'/><category term='music'/><category term='composer'/><category term='dedication'/><category term='private'/><category term='gps'/><category term='literature'/><category term='tentative architecture'/><category term='public art'/><category term='mixed reality'/><category term='outdoor projection'/><category term='contour'/><category term='mental telepathy'/><category term='blade runner'/><category term='video art'/><category term='interaction'/><category term='identity'/><category term='non place'/><category term='private space'/><category term='urban informatics'/><category term='fourwalling'/><category term='film'/><category term='crossover'/><category term='pervasive games'/><category term='expanded cinema'/><category term='human'/><category term='transportation'/><category term='placemaking'/><category term='network society'/><category term='Michael Joaquin Grey'/><category term='nytimes'/><category term='communucation'/><category term='delueze'/><category term='street art'/><category term='light'/><category term='Nigel Thrift'/><category term='art'/><category term='beast'/><category term='open source'/><category term='toni dove'/><category term='relational aesthetics'/><category term='location'/><category term='iphone'/><category term='digital infrastructure'/><category term='ballard'/><category term='locative'/><category term='penumbral'/><category term='diagrams'/><category term='ghosts'/><category term='performance'/><category term='science fiction'/><category term='alternate reality game'/><category term='dance'/><category term='locataive'/><category term='facade'/><category term='doors'/><category term='narrative'/><category term='swarm'/><category term='affect'/><category term='interactive'/><category term='transarchitecture'/><category term='security'/><category term='local'/><category term='derive'/><category term='digital window'/><category term='tracking'/><category term='security camera'/><category term='audience'/><category term='object'/><category term='interactive cinema'/><category term='graffiti research lab'/><category term='thesis project'/><category term='situationsist'/><category term='game'/><category term='links'/><category term='urban landscape'/><category term='magnetic field'/><category term='los angeles'/><category term='geometry'/><category term='sense'/><category term='max'/><category term='spectatorship'/><category term='urban'/><category term='soundscapes'/><category term='environmental markup'/><category term='animal'/><category term='ant farm'/><category term='symbol'/><category term='wireless network'/><category term='authorship'/><category term='editing'/><category term='topology'/><category term='remix'/><category term='soundwalk'/><category term='architecture'/><category term='noise'/><category term='prototype'/><category term='hp'/><category term='motion'/><category term='virtual space'/><category term='collectivism'/><category term='datascapes'/><category term='media'/><category term='fourwall'/><category term='wiki'/><category term='public'/><category term='cybernetics'/><category term='open network'/><category term='post spectacular'/><category term='social'/><category term='habitable cinema'/><category term='feral city'/><category term='materials'/><category term='urban playground'/><category term='use spaces'/><category term='physical'/><category term='augmented reality'/><category term='urban sensing'/><category term='commons'/><category term='subject'/><category term='sensors'/><category term='mobile art'/><category term='desire'/><category term='lars von trier'/><category term='haptic'/><category term='parallel'/><category term='surrealism'/><category term='brian eno'/><category term='hyperlocal'/><category term='experimental geography'/><category term='vector'/><category term='mass observation'/><category term='database'/><category term='crash'/><category term='platform'/><category term='42 entertainment'/><category term='politics'/><category term='conspiracy'/><category term='Julian Bleecker'/><category term='acoustic'/><category term='sonny astani'/><category term='slow space'/><category term='experience'/><category term='games'/><category term='motion detection'/><category term='mapping'/><category term='theater'/><category term='locative media'/><category term='context'/><category term='pervasive computing'/><category term='viewer'/><category term='signals'/><category term='bacon'/><category term='time'/><category term='optical'/><category term='face'/><category term='cognitive map'/><category term='culinary'/><category term='cartography'/><category term='computer vision'/><category term='matrix'/><category term='parametric'/><category term='food'/><category term='gordon matta clark'/><category term='cinema'/><category term='play'/><category term='icon'/><category term='deleuze'/><category term='spectacle'/><category term='electronic signals'/><category term='uncanny'/><category term='tagging'/><category term='vj'/><category term='interactive art'/><category term='herzog'/><category term='data'/><category term='sound art'/><category term='fiction'/><category term='landscape'/><category term='particiatory urbanism'/><category term='modular'/><category term='sampling'/><title type='text'>FOURWALLING</title><subtitle type='html'>Locative Media, Urban Informatics, Ubiquitous Computing</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://fourwalling.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default?start-index=101&amp;max-results=100'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>226</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-9115075383285287851</id><published>2012-01-25T23:51:00.000-08:00</published><updated>2012-01-26T00:04:48.536-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><category scheme='http://www.blogger.com/atom/ns#' term='expanded cinema'/><title type='text'>walk the edit</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-_Ue1i6q8kXI/TyEGV7vpuqI/AAAAAAAAAF4/S_FF6SAO2Bs/s1600/Screen%2Bshot%2B2012-01-25%2Bat%2B11.50.08%2BPM.png"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 112px;" src="http://4.bp.blogspot.com/-_Ue1i6q8kXI/TyEGV7vpuqI/AAAAAAAAAF4/S_FF6SAO2Bs/s200/Screen%2Bshot%2B2012-01-25%2Bat%2B11.50.08%2BPM.png" alt="" id="BLOGGER_PHOTO_ID_5701845577112337058" border="0" /&gt;&lt;/a&gt;&lt;span style="font-family:verdana;"&gt;"&lt;/span&gt;&lt;strong&gt;&lt;span style=" font-weight: normal;font-family:verdana;" &gt;‘Walking the Edit’ enables you to ‘walk a movie’ based on the shared audiovisual pieces that are virtually existing around us." walk the edit website, via nearfuturelaboratory&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-9115075383285287851?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://walking-the-edit.net/' title='walk the edit'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/9115075383285287851'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/9115075383285287851'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2012/01/walk-edit.html' title='walk the edit'/><author><name>kenneth cameron</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-_Ue1i6q8kXI/TyEGV7vpuqI/AAAAAAAAAF4/S_FF6SAO2Bs/s72-c/Screen%2Bshot%2B2012-01-25%2Bat%2B11.50.08%2BPM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-8527710301467692770</id><published>2012-01-23T17:49:00.000-08:00</published><updated>2012-01-23T17:52:01.832-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sound'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>you are listening</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-_0BKozaWp18/Tx4OuB0hl3I/AAAAAAAAAFU/wvfzdr2iWPo/s1600/Screen%2Bshot%2B2012-01-23%2Bat%2B5.48.03%2BPM.png"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 100px;" src="http://2.bp.blogspot.com/-_0BKozaWp18/Tx4OuB0hl3I/AAAAAAAAAFU/wvfzdr2iWPo/s200/Screen%2Bshot%2B2012-01-23%2Bat%2B5.48.03%2BPM.png" alt="" id="BLOGGER_PHOTO_ID_5701010362223138674" border="0" /&gt;&lt;/a&gt;&lt;a target="_blank" href="http://youarelistening.to/newyork"&gt;&lt;strong&gt;"You are Listening To&lt;/strong&gt;&lt;/a&gt;  is a website that mixes live streams of police radio chatter from New  York, Los Angeles and other North American cities with SoundCloud  ambient radio, creating a chilling score to accompany images of  nighttime cityscapes."  via architzer blog&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-8527710301467692770?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://youarelistening.to/' title='you are listening'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8527710301467692770'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8527710301467692770'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2012/01/you-are-listening.html' title='you are listening'/><author><name>kenneth cameron</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-_0BKozaWp18/Tx4OuB0hl3I/AAAAAAAAAFU/wvfzdr2iWPo/s72-c/Screen%2Bshot%2B2012-01-23%2Bat%2B5.48.03%2BPM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-7556631236781576131</id><published>2012-01-20T21:47:00.000-08:00</published><updated>2012-01-20T21:49:52.519-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='robot'/><category scheme='http://www.blogger.com/atom/ns#' term='interactive art'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='inflatable'/><title type='text'>amorphic robot works</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-ly8OQXwWZDU/TxpR-MjcRJI/AAAAAAAAAFI/F9y_ZFWh-tc/s1600/inflatearchitecture.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 150px;" src="http://1.bp.blogspot.com/-ly8OQXwWZDU/TxpR-MjcRJI/AAAAAAAAAFI/F9y_ZFWh-tc/s200/inflatearchitecture.jpg" alt="" id="BLOGGER_PHOTO_ID_5699958407354401938" border="0" /&gt;&lt;/a&gt;"The &lt;i&gt;Inflatable Architectural Body&lt;/i&gt;....  attempts to further develop the &lt;em&gt;Inflatables&lt;/em&gt;  technology while creating a new dialogue between man, machine, and  architecture. In this work, I am modeling nature on a microscopic,  fractal level. It comprises a system of plug-and-play, inflatable,  musculoskeletal modules which allow me to design a series of  transformative organic structures influenced by the exhibition space."  Chico MacMurtie, ARW website&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-7556631236781576131?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://amorphicrobotworks.org/works/architecture/index.htm' title='amorphic robot works'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7556631236781576131'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7556631236781576131'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2012/01/amorphic-robot-works.html' title='amorphic robot works'/><author><name>kenneth cameron</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-ly8OQXwWZDU/TxpR-MjcRJI/AAAAAAAAAFI/F9y_ZFWh-tc/s72-c/inflatearchitecture.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-6785548414506802443</id><published>2011-12-07T20:19:00.000-08:00</published><updated>2011-12-07T20:24:02.492-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='soundwalk'/><category scheme='http://www.blogger.com/atom/ns#' term='soundscapes'/><category scheme='http://www.blogger.com/atom/ns#' term='nytimes'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><category scheme='http://www.blogger.com/atom/ns#' term='new york'/><title type='text'>bluebrain central park</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-ZDbwECvMAsE/TuA70eUkiwI/AAAAAAAAAE0/-FzNnMeyBEY/s1600/Screen%2Bshot%2B2011-12-07%2Bat%2B8.18.56%2BPM.png"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 120px;" src="http://4.bp.blogspot.com/-ZDbwECvMAsE/TuA70eUkiwI/AAAAAAAAAE0/-FzNnMeyBEY/s200/Screen%2Bshot%2B2011-12-07%2Bat%2B8.18.56%2BPM.png" alt="" id="BLOGGER_PHOTO_ID_5683608502420146946" border="0" /&gt;&lt;/a&gt;"Clamp on headphones, start up the &lt;a href="http://topics.nytimes.com/top/reference/timestopics/subjects/i/iphone/index.html?inline=nyt-classifier" title="Recent and archival news about the iPhone." class="meta-classifier"&gt;iPhone&lt;/a&gt;  app by the musical duo Bluebrain and walk into Central Park. The music  does not begin until you pass through an entrance and head into the  trees. Then it sounds like an orchestra tuning up, a chaotic jumble of  wind chimes, electronic moans and discordant strings. Push farther into  the park, and a sweet violin melody emerges over languid piano chords."  James McKinley Jr.  from http://www.nytimes.com/2011/12/08/arts/music/bluebrains-app-central-park-listen-to-the-light.html&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-6785548414506802443?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.bluebra.in/' title='bluebrain central park'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6785548414506802443'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6785548414506802443'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/12/bluebrain-central-park.html' title='bluebrain central park'/><author><name>kenneth cameron</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-ZDbwECvMAsE/TuA70eUkiwI/AAAAAAAAAE0/-FzNnMeyBEY/s72-c/Screen%2Bshot%2B2011-12-07%2Bat%2B8.18.56%2BPM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-965328725594125926</id><published>2011-12-07T08:40:00.000-08:00</published><updated>2011-12-07T08:43:17.573-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sound art'/><category scheme='http://www.blogger.com/atom/ns#' term='kinetic sculpture'/><title type='text'>david letellier</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-OBamt1zC4KU/Tt-XW-sUivI/AAAAAAAAAEo/Ta399VLPu1c/s1600/Screen%2Bshot%2B2011-12-07%2Bat%2B8.39.54%2BAM.png"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 110px;" src="http://1.bp.blogspot.com/-OBamt1zC4KU/Tt-XW-sUivI/AAAAAAAAAEo/Ta399VLPu1c/s200/Screen%2Bshot%2B2011-12-07%2Bat%2B8.39.54%2BAM.png" alt="" id="BLOGGER_PHOTO_ID_5683427675806665458" border="0" /&gt;&lt;/a&gt;&lt;span class="colorGrey"&gt;&lt;span class="colorWhite"&gt;&lt;span class="colorGrey"&gt;"Versus is a sound installation consisting of two kinetic sculptures placed face to face.  Each  sculpture is made out of 12 triangular panels, hinged and powered by  six linear actuators, controlled by a specific program. At the center of  each corolla, a loudspeaker and a microphone allow to play and record  sounds."  david letellier&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-965328725594125926?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.davidletellier.net/works.html#versus' title='david letellier'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/965328725594125926'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/965328725594125926'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/12/david-letellier.html' title='david letellier'/><author><name>kenneth cameron</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-OBamt1zC4KU/Tt-XW-sUivI/AAAAAAAAAEo/Ta399VLPu1c/s72-c/Screen%2Bshot%2B2011-12-07%2Bat%2B8.39.54%2BAM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-3150373188660554012</id><published>2011-11-14T20:53:00.000-08:00</published><updated>2011-11-14T20:56:21.694-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sound art'/><category scheme='http://www.blogger.com/atom/ns#' term='soundscapes'/><title type='text'>Zimoun</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-8aIRuWAdczs/TsHwzcthhzI/AAAAAAAAAEU/3U1PhdQF2_0/s1600/Screen%2Bshot%2B2011-11-14%2Bat%2B8.53.04%2BPM.png"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 112px;" src="http://2.bp.blogspot.com/-8aIRuWAdczs/TsHwzcthhzI/AAAAAAAAAEU/3U1PhdQF2_0/s200/Screen%2Bshot%2B2011-11-14%2Bat%2B8.53.04%2BPM.png" alt="" id="BLOGGER_PHOTO_ID_5675081772134663986" border="0" /&gt;&lt;/a&gt;«Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of curiously collected material, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena blends effortlessly with electric reverberation in Zimoun's minimalist constructions.» bitforms nyc  image:  25 prepared dc-motors, wire isolated 1.2mm, Zimoun Website&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-3150373188660554012?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.zimoun.ch/about.html' title='Zimoun'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3150373188660554012'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3150373188660554012'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/11/zimoun.html' title='Zimoun'/><author><name>kenneth cameron</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-8aIRuWAdczs/TsHwzcthhzI/AAAAAAAAAEU/3U1PhdQF2_0/s72-c/Screen%2Bshot%2B2011-11-14%2Bat%2B8.53.04%2BPM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-2519527270584651479</id><published>2011-10-17T08:29:00.000-07:00</published><updated>2011-10-17T08:31:26.977-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sound art'/><category scheme='http://www.blogger.com/atom/ns#' term='soundscapes'/><category scheme='http://www.blogger.com/atom/ns#' term='materials'/><title type='text'>5 stones</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-yu2wXj7-Nmk/TpxKNjry2EI/AAAAAAAAADo/pvz0Iehyv_c/s1600/Screen%2Bshot%2B2011-10-17%2Bat%2B8.27.22%2BAM.png"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 135px;" src="http://3.bp.blogspot.com/-yu2wXj7-Nmk/TpxKNjry2EI/AAAAAAAAADo/pvz0Iehyv_c/s200/Screen%2Bshot%2B2011-10-17%2Bat%2B8.27.22%2BAM.png" alt="" id="BLOGGER_PHOTO_ID_5664484028102924354" border="0" /&gt;&lt;/a&gt;&lt;div dir="ltr" style="zoom:1"&gt;&lt;span id="result_box" class="" lang="en"&gt;&lt;span class="hps"&gt;"kymapetra&lt;/span&gt; &lt;span class="hps"&gt;consists of 5&lt;/span&gt; &lt;span class="hps"&gt;stones&lt;/span&gt; &lt;span class="hps"&gt;arranged in a&lt;/span&gt; &lt;span class="hps"&gt;crescent&lt;/span&gt; &lt;span class="hps"&gt;around a&lt;/span&gt; &lt;span class="hps"&gt;central&lt;/span&gt; &lt;span class="hps"&gt;basin&lt;/span&gt; &lt;span class="hps"&gt;filled with water.&lt;/span&gt; &lt;span class="hps"&gt;The spectator,&lt;/span&gt; &lt;span class="hps"&gt;laying his hand&lt;/span&gt; &lt;span class="hps"&gt;on top of&lt;/span&gt; &lt;span class="hps"&gt;a stone&lt;/span&gt; &lt;span class="hps"&gt;resonates&lt;/span&gt; &lt;span class="hps"&gt;with her.&lt;/span&gt; &lt;span class="hps"&gt;The rustling&lt;/span&gt; &lt;span class="hps"&gt;body /&lt;/span&gt; &lt;span class="hps"&gt;matter is transformed into&lt;/span&gt; &lt;span class="hps"&gt;sound vibrations.&lt;/span&gt; &lt;span class="hps"&gt;They become&lt;/span&gt; &lt;span class="hps"&gt;visible on the surface&lt;/span&gt; &lt;span class="hps"&gt;of the&lt;/span&gt; &lt;span class="hps"&gt;water&lt;/span&gt; &lt;span class="hps"&gt;in a myriad of&lt;/span&gt; &lt;span class="hps"&gt;ripples&lt;/span&gt;&lt;span&gt;.&lt;/span&gt; &lt;span class="hps"&gt;The propagation of&lt;/span&gt; &lt;span class="hps"&gt;acoustic vibrations&lt;/span&gt; &lt;span class="hps"&gt;on the surface of&lt;/span&gt; &lt;span class="hps"&gt;the water&lt;/span&gt; &lt;span class="hps"&gt;then draws&lt;/span&gt; &lt;span class="hps"&gt;a&lt;/span&gt; &lt;span class="hps"&gt;geometric composition&lt;/span&gt; &lt;span class="hps"&gt;consists of&lt;/span&gt; &lt;span class="hps"&gt;hollow&lt;/span&gt; &lt;span class="hps"&gt;bellies&lt;/span&gt;&lt;span&gt;.&lt;/span&gt; &lt;span class="hps"&gt;The&lt;/span&gt; &lt;span class="hps"&gt;figures&lt;/span&gt; &lt;span class="hps"&gt;vary depending on the&lt;/span&gt; &lt;span class="hps"&gt;intensity&lt;/span&gt; &lt;span class="hps"&gt;of the contact&lt;/span&gt; &lt;span class="hps"&gt;person&lt;/span&gt; &lt;span class="hps"&gt;and stones."  www.scenocosme.com  (via google translate)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-2519527270584651479?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.scenocosme.com/kimapetra.htm' title='5 stones'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/2519527270584651479'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/2519527270584651479'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/10/5-stones.html' title='5 stones'/><author><name>kenneth cameron</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-yu2wXj7-Nmk/TpxKNjry2EI/AAAAAAAAADo/pvz0Iehyv_c/s72-c/Screen%2Bshot%2B2011-10-17%2Bat%2B8.27.22%2BAM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-760205062572813591</id><published>2011-10-16T21:15:00.000-07:00</published><updated>2011-10-16T21:19:56.532-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='urban sensing'/><category scheme='http://www.blogger.com/atom/ns#' term='digital infrastructure'/><category scheme='http://www.blogger.com/atom/ns#' term='wifi'/><title type='text'>wifi painting</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-1ipxMGAI6rI/Tpus4P1E8xI/AAAAAAAAADc/4sud_daI-Bw/s1600/Screen%2Bshot%2B2011-10-16%2Bat%2B9.15.00%2BPM.png"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 132px;" src="http://2.bp.blogspot.com/-1ipxMGAI6rI/Tpus4P1E8xI/AAAAAAAAADc/4sud_daI-Bw/s200/Screen%2Bshot%2B2011-10-16%2Bat%2B9.15.00%2BPM.png" alt="" id="BLOGGER_PHOTO_ID_5664311038670336786" border="0" /&gt;&lt;/a&gt;"WiFi uses high frequency radio to set up a data connection between a  base station and device with a WiFi receiving antenna. The WiFi signal  strength describes how much of the radio waves that the base station  beams off that is received by the mobile device. What you see in the  light-paintings is the signal strength of a WiFi network represented as a  light-painted graph."  Oslo School of Architecture (Yourban), via Space and Culture&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-760205062572813591?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://yourban.no/2011/03/07/making-immaterials-light-painting-wifi/' title='wifi painting'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/760205062572813591'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/760205062572813591'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/10/wifi-painting.html' title='wifi painting'/><author><name>kenneth cameron</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-1ipxMGAI6rI/Tpus4P1E8xI/AAAAAAAAADc/4sud_daI-Bw/s72-c/Screen%2Bshot%2B2011-10-16%2Bat%2B9.15.00%2BPM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-3101942468409498766</id><published>2011-10-05T12:07:00.000-07:00</published><updated>2011-10-05T12:09:13.329-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='qr codes'/><category scheme='http://www.blogger.com/atom/ns#' term='urban informatics'/><title type='text'>rooftop qr code</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-20CNOTgrm3Q/ToyrMlMjrbI/AAAAAAAAADQ/T4Y7gYfGFNM/s1600/Screen%2Bshot%2B2011-10-05%2Bat%2B12.06.24%2BPM.png"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 112px;" src="http://4.bp.blogspot.com/-20CNOTgrm3Q/ToyrMlMjrbI/AAAAAAAAADQ/T4Y7gYfGFNM/s200/Screen%2Bshot%2B2011-10-05%2Bat%2B12.06.24%2BPM.png" alt="" id="BLOGGER_PHOTO_ID_5660087064329432498" border="0" /&gt;&lt;/a&gt;"Phillips &amp;amp; Co.’s new proposition, called &lt;a href="http://bluemarblebrand.com/" target="_blank"&gt;Blue Marble&lt;/a&gt;,  offers a “space-accessible profile” for businesses, cities, schools —  anyone who wants to raise their profile. In addition to catching the  attention of the odd plane passing by, Phillips says in a statement that  Google Earth has been downloaded 400 million times and “by integrating a  readable code into the space-accessible profile, mobile users can  access dynamic marketing programs, videos, digital coupons and other  content while viewing the specific geographical location.”  via mashable, Todd Wasserman&lt;a href="http://mashable.com/author/todd-wasserman/" title="Posts by Todd Wasserman" rel="author"&gt;&lt;br /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-3101942468409498766?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://mashable.com/2011/10/05/rooftop-qr-codes-google-maps/' title='rooftop qr code'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3101942468409498766'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3101942468409498766'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/10/rooftop-qr-code.html' title='rooftop qr code'/><author><name>kenneth cameron</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-20CNOTgrm3Q/ToyrMlMjrbI/AAAAAAAAADQ/T4Y7gYfGFNM/s72-c/Screen%2Bshot%2B2011-10-05%2Bat%2B12.06.24%2BPM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-930330457728250530</id><published>2011-09-08T09:35:00.000-07:00</published><updated>2011-09-08T09:35:01.513-07:00</updated><title type='text'>achim wollscheid</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-uImENCINu-s/TmjuY0O5lGI/AAAAAAAAA8s/ZUlz_Hx-lRY/s1600/Screen+shot+2011-09-08+at+6.33.22+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="142" src="http://1.bp.blogspot.com/-uImENCINu-s/TmjuY0O5lGI/AAAAAAAAA8s/ZUlz_Hx-lRY/s200/Screen+shot+2011-09-08+at+6.33.22+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;redlight haze:&amp;nbsp; "A portion of the facade is overlaid with a grid of red LEDs, which change lightness or pattern according to real-time sound analyses. This interface between architecture and the by-passers is created by the relationship between common sound sources (the voices of passers-by, the noise generated by local traffic) and the programme that regulates the transformation."&amp;nbsp; selektion.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-930330457728250530?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.selektion.com/members/wollscheid/default.htm' title='achim wollscheid'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/930330457728250530'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/930330457728250530'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/09/achim-wollscheid.html' title='achim wollscheid'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-uImENCINu-s/TmjuY0O5lGI/AAAAAAAAA8s/ZUlz_Hx-lRY/s72-c/Screen+shot+2011-09-08+at+6.33.22+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-4723600888738401048</id><published>2011-09-08T09:16:00.000-07:00</published><updated>2011-09-08T09:16:42.209-07:00</updated><title type='text'>Apo33</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-RUMiZ_5YQbY/TmjqXcU4A0I/AAAAAAAAA8o/qRQ_L4udKKs/s1600/Screen+shot+2011-09-08+at+6.16.03+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="127" src="http://1.bp.blogspot.com/-RUMiZ_5YQbY/TmjqXcU4A0I/AAAAAAAAA8o/qRQ_L4udKKs/s200/Screen+shot+2011-09-08+at+6.16.03+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;em&gt;"Le poulpe&lt;/em&gt; (the octopus) is an analogical and digital organism  living in a network. Each branch constitutes a sonic installation which,  out of a specific location, collects its own locally generated sound  effects, transforms them via a digital automaton into a new arrangement  of sounds. The outcome is then broadcast locally, through loud speakers,  and on the Net, through streaming. &lt;em&gt;Le Poulpe&lt;/em&gt; belongs in the  city, where people live and make noise. It gives a virtual body to this  city, expressing through sounds its invisible mouvements and its  continuous flows."&amp;nbsp; Apo33&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-4723600888738401048?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.apo33.org/eng/?page_id=59' title='Apo33'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4723600888738401048'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4723600888738401048'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/09/apo33.html' title='Apo33'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-RUMiZ_5YQbY/TmjqXcU4A0I/AAAAAAAAA8o/qRQ_L4udKKs/s72-c/Screen+shot+2011-09-08+at+6.16.03+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-562141829073074917</id><published>2011-05-28T23:54:00.000-07:00</published><updated>2011-05-28T23:54:38.024-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sound art'/><title type='text'>coincidence engines</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-vAg5c5Kp7dI/TeHtnzbjCzI/AAAAAAAAA7U/2qtxGIwwV34/s1600/coicidenceengine_theuser.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="98" src="http://1.bp.blogspot.com/-vAg5c5Kp7dI/TeHtnzbjCzI/AAAAAAAAA7U/2qtxGIwwV34/s200/coicidenceengine_theuser.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;"Coïncidence Engines, by the Quebecois [The User], with its 1240 radio  alarm clocks — beyond its obvious homage to Ligeti’s metronomes —  provides an interesting perspective on working in a duo. With the  diversion of their materials, via the prism of new technologies and the  new social relations they create, and the poetic overlapping of  structure, space and sound, the aesthetic and exploratory universe of  [The User] has discovered an ideal configuration for new growth."via Digital art i&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-562141829073074917?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.digitalarti.com/en/blog/digitalarti_mag/architecture_music_and_diversion' title='coincidence engines'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/562141829073074917'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/562141829073074917'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/05/coincidence-engines.html' title='coincidence engines'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-vAg5c5Kp7dI/TeHtnzbjCzI/AAAAAAAAA7U/2qtxGIwwV34/s72-c/coicidenceengine_theuser.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-152793370369874632</id><published>2011-05-28T23:21:00.000-07:00</published><updated>2011-05-28T23:23:37.789-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sound art'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='kinetic'/><title type='text'>tessel</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-IZKjUhekJPc/TeHl6LGn5HI/AAAAAAAAA7M/S1k3evot54Y/s1600/Screen+shot+2011-05-28+at+11.16.46+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="111" src="http://4.bp.blogspot.com/-UeuLkfrQEec/TeHmFCrF9KI/AAAAAAAAA7Q/YuLyv77bb8A/s200/Screen+shot+2011-05-28+at+11.16.25+PM.png" width="200" /&gt;&lt;/a&gt;"The installation is constituted of a suspended and articulated  topography of 4 x 2 m, subdivided into forty triangular mirrors. Twelve  triangles are fitted with motors and eight triangles are equipped with  audio transducers, which transform the surface into a dynamic sonic  space. A dialogue between space and sound is created as the surface  slowly modifies its shape, our perception of it altered through  continuously changing light and sound reflection." d Letellier via LAb au&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-152793370369874632?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://lab-au.com/#/projects/tessel/' title='tessel'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/152793370369874632'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/152793370369874632'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/05/tessel.html' title='tessel'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-UeuLkfrQEec/TeHmFCrF9KI/AAAAAAAAA7Q/YuLyv77bb8A/s72-c/Screen+shot+2011-05-28+at+11.16.25+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-1357799981733473275</id><published>2011-05-28T23:07:00.000-07:00</published><updated>2011-05-28T23:07:07.329-07:00</updated><title type='text'>nine bells</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-KgpaTSOxHZs/TeHiYE4sFlI/AAAAAAAAA7I/XHVpfML7ucg/s1600/Screen+shot+2011-05-28+at+10.59.58+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="130" src="http://4.bp.blogspot.com/-KgpaTSOxHZs/TeHiYE4sFlI/AAAAAAAAA7I/XHVpfML7ucg/s200/Screen+shot+2011-05-28+at+10.59.58+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: inherit;"&gt;"Composed in 1979, &lt;/span&gt;&lt;i style="font-family: inherit;"&gt;Nine Bells&lt;/i&gt;&lt;span style="font-family: inherit;"&gt; explores the multiple combinations  of 9 suspended bells in a 3×3 grid, each bell situated 6 feet from its  neighbors. The music is produced by pealing the bells following precise  walking paths around the installation. The piece induces a lot of  walking around, more or less rapidly, and the sound of footsteps is an  integral part of this recording." &lt;/span&gt;&lt;b style="font-family: inherit;"&gt;Tom Johnson, &lt;/b&gt;&lt;span style="font-family: inherit;"&gt;via continuo&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-1357799981733473275?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://continuo.wordpress.com/category/sound-art/' title='nine bells'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1357799981733473275'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1357799981733473275'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/05/nine-bells.html' title='nine bells'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-KgpaTSOxHZs/TeHiYE4sFlI/AAAAAAAAA7I/XHVpfML7ucg/s72-c/Screen+shot+2011-05-28+at+10.59.58+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-4793456341467574166</id><published>2011-03-24T18:31:00.000-07:00</published><updated>2011-03-24T18:32:02.726-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='soundscapes'/><category scheme='http://www.blogger.com/atom/ns#' term='audio'/><title type='text'>field studies</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh4.googleusercontent.com/-jOIgdfOJoCI/TYvwECYwhHI/AAAAAAAAA7E/RfMt0AURU1E/s1600/Screen+shot+2011-03-24+at+6.25.52+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="155" src="https://lh4.googleusercontent.com/-jOIgdfOJoCI/TYvwECYwhHI/AAAAAAAAA7E/RfMt0AURU1E/s200/Screen+shot+2011-03-24+at+6.25.52+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;"Sound, harmony and music are intimately connected with culture and the  question of good and bad sound is politically charged. Each revolution  has its own music. If we listen, rather than look, there is a whole new  and curious world to be discovered..... &amp;nbsp;How can listening to the city and working with recorded sound become part of the creative process of making architecture?" &amp;nbsp;via field-studies.org (london metropolitan university) image, Marc Behrens&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-4793456341467574166?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.field-studies.org/' title='field studies'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4793456341467574166'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4793456341467574166'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/03/field-studies.html' title='field studies'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh4.googleusercontent.com/-jOIgdfOJoCI/TYvwECYwhHI/AAAAAAAAA7E/RfMt0AURU1E/s72-c/Screen+shot+2011-03-24+at+6.25.52+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-9061663141018598475</id><published>2011-03-13T23:35:00.000-07:00</published><updated>2011-03-13T23:35:40.247-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='noise'/><category scheme='http://www.blogger.com/atom/ns#' term='music'/><category scheme='http://www.blogger.com/atom/ns#' term='politics'/><title type='text'>the political economy of music</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh6.googleusercontent.com/-ltAjkvAxSk8/TX22TsguZsI/AAAAAAAAA7A/VhCwjEXY-F0/s1600/Screen+shot+2011-03-13+at+11.31.11+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="138" src="https://lh6.googleusercontent.com/-ltAjkvAxSk8/TX22TsguZsI/AAAAAAAAA7A/VhCwjEXY-F0/s200/Screen+shot+2011-03-13+at+11.31.11+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;"Attali's essential argument in &lt;i&gt;Noise: The Political Economy of Music&lt;/i&gt; is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For Marxist&amp;nbsp;critics, this idea is nothing new. The novelty of Attali's work is that  it reverses the traditional understandings about how revolutions in the  mode of production take place." &amp;nbsp;jameson&amp;nbsp;via wikipedia,&amp;nbsp;noise:the political economy of music (image: thurston moore,&amp;nbsp;brooklynpaper)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-9061663141018598475?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://en.wikipedia.org/wiki/Noise:_The_Political_Economy_of_Music' title='the political economy of music'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/9061663141018598475'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/9061663141018598475'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/03/political-economy-of-music.html' title='the political economy of music'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh6.googleusercontent.com/-ltAjkvAxSk8/TX22TsguZsI/AAAAAAAAA7A/VhCwjEXY-F0/s72-c/Screen+shot+2011-03-13+at+11.31.11+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-5806889416307631113</id><published>2011-03-13T22:57:00.000-07:00</published><updated>2011-03-13T22:57:08.737-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sound'/><category scheme='http://www.blogger.com/atom/ns#' term='sonification'/><category scheme='http://www.blogger.com/atom/ns#' term='composer'/><title type='text'>Arsenij Avraamov</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh4.googleusercontent.com/-vXXlqD6K_Qg/TX2uJtqsGnI/AAAAAAAAA68/XrBgVWibR64/s1600/Screen+shot+2011-03-13+at+10.54.39+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="145" src="https://lh4.googleusercontent.com/-vXXlqD6K_Qg/TX2uJtqsGnI/AAAAAAAAA68/XrBgVWibR64/s200/Screen+shot+2011-03-13+at+10.54.39+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;"During the early Soviet era many artists attempted to integrate  technology and creativity; Avraamov's work typifies this trend. He  invented a graphic-sonic art which was produced by drawing directly onto  magnetic tape. He also sought to overcome equal temperament and  tonality by his creation of an ‘ultrachromatic’ 48-tone system. This  method was proposed in a thesis entitled Universal'naya sistema tonov  (‘The Universal System of Tones’) and was realized in his demonstrations  which took place in 1927 in Berlin, Frankfurt and Stuttgart. He is  considered a precursor of the musique concrète movement with his  Simfoniya gudkov (‘Symphony of Factory Sirens’) which was performed in  Azerbaijan in 1923 and later in Moscow." via sonification.eu &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-5806889416307631113?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://sonification.eu/avraamov' title='Arsenij Avraamov'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5806889416307631113'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5806889416307631113'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/03/arsenij-avraamov.html' title='Arsenij Avraamov'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh4.googleusercontent.com/-vXXlqD6K_Qg/TX2uJtqsGnI/AAAAAAAAA68/XrBgVWibR64/s72-c/Screen+shot+2011-03-13+at+10.54.39+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-6551106343732148863</id><published>2011-02-13T18:48:00.000-08:00</published><updated>2011-02-13T18:49:36.877-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Julian Bleecker'/><category scheme='http://www.blogger.com/atom/ns#' term='particiatory urbanism'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><category scheme='http://www.blogger.com/atom/ns#' term='Scott Paterson'/><category scheme='http://www.blogger.com/atom/ns#' term='urban informatics'/><title type='text'>temporary personal urbanisms</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-jv7542YqCsg/TViYCJXO6GI/AAAAAAAAA6w/gbwfBfSMLIM/s1600/Screen+shot+2011-02-13+at+6.48.05+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="172" src="http://4.bp.blogspot.com/-jv7542YqCsg/TViYCJXO6GI/AAAAAAAAA6w/gbwfBfSMLIM/s200/Screen+shot+2011-02-13+at+6.48.05+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;"PDPal is a public art project built around the PDA (personal digital assistant), using it as a mediating and recording device that reactivates our everyday actions, transforming them into a dynamic portrait of our urban experience." via eyebeam&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-6551106343732148863?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://eyebeam.org/projects/pdpal' title='temporary personal urbanisms'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6551106343732148863'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6551106343732148863'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/02/temporary-personal-urbanisms.html' title='temporary personal urbanisms'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-jv7542YqCsg/TViYCJXO6GI/AAAAAAAAA6w/gbwfBfSMLIM/s72-c/Screen+shot+2011-02-13+at+6.48.05+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-4637951644718837609</id><published>2011-02-13T18:07:00.000-08:00</published><updated>2011-02-13T18:07:05.487-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='pervasive games'/><title type='text'>hide and seek</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Mm-GC1KlLiM/TViOFSh7LhI/AAAAAAAAA6s/8XFOoyC0L0s/s1600/Screen+shot+2011-02-13+at+6.05.04+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="132" src="http://4.bp.blogspot.com/-Mm-GC1KlLiM/TViOFSh7LhI/AAAAAAAAA6s/8XFOoyC0L0s/s200/Screen+shot+2011-02-13+at+6.05.04+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;"Hide&amp;amp;Seek make social games and playful experiences. We expand the boundaries of play, reaching out into public space, new technologies, culture and media." &amp;nbsp;hideandseek.net&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-4637951644718837609?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.hideandseek.net/' title='hide and seek'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4637951644718837609'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4637951644718837609'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/02/hide-and-seek.html' title='hide and seek'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Mm-GC1KlLiM/TViOFSh7LhI/AAAAAAAAA6s/8XFOoyC0L0s/s72-c/Screen+shot+2011-02-13+at+6.05.04+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-3988271037671615312</id><published>2011-02-05T13:23:00.000-08:00</published><updated>2011-02-05T13:23:38.530-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='games'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>blinkenlights</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_JD8g1f5RtEk/TU2_r3ndTQI/AAAAAAAAA6g/Rgdnxi9FU_s/s1600/Screen+shot+2011-02-05+at+1.19.53+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="132" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/TU2_r3ndTQI/AAAAAAAAA6g/Rgdnxi9FU_s/s200/Screen+shot+2011-02-05+at+1.19.53+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;"Blinkenlights, a large-scale installation created by the German hacker organisation Chaos Computer Club, first appeared on the Haus des Lehrers (House of Teachers) building at a public square in Berlin. It transformed that building into a giant computer screen, using the lights in 144 rooms (controlled via a switchboard) as ‘pixels’ to create simple animations and play ‘movies’. Participants and passers-by could then submit their own animations via their mobile phone which were displayed on the ‘screen’. Later, on the installation located at the Bibliotheque Nationale de France in Paris, participants could use their mobile phones to play arcade games on the building’s facade." D Leorke, Locative Gaming and the Global City&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-3988271037671615312?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3988271037671615312'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3988271037671615312'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/02/blinkenlights.html' title='blinkenlights'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/TU2_r3ndTQI/AAAAAAAAA6g/Rgdnxi9FU_s/s72-c/Screen+shot+2011-02-05+at+1.19.53+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-3250454212178482180</id><published>2011-02-04T13:43:00.000-08:00</published><updated>2011-02-04T13:43:36.480-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='soundwalk'/><category scheme='http://www.blogger.com/atom/ns#' term='audio'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>soundwalk</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_JD8g1f5RtEk/TUxyy11cXcI/AAAAAAAAA6c/WTBA4pWCbf4/s1600/Screen+shot+2011-02-04+at+1.40.03+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="133" src="http://2.bp.blogspot.com/_JD8g1f5RtEk/TUxyy11cXcI/AAAAAAAAA6c/WTBA4pWCbf4/s200/Screen+shot+2011-02-04+at+1.40.03+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;"Audio Tours for People Who Don't Normally Take Audio Tours. An innovative product appropriate to this new millennium, Soundwalk is a new form of media, whereas one virtually interacts with his or her surroundings. How is it done? Easy, you purchase the walk, go to the starting point, put your headphones on, press play, start walkin..." soundwalk website&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-3250454212178482180?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.soundwalk.com' title='soundwalk'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3250454212178482180'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3250454212178482180'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/02/soundwalk.html' title='soundwalk'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_JD8g1f5RtEk/TUxyy11cXcI/AAAAAAAAA6c/WTBA4pWCbf4/s72-c/Screen+shot+2011-02-04+at+1.40.03+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-406366379529321260</id><published>2011-01-30T15:40:00.000-08:00</published><updated>2011-01-30T15:40:10.851-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='particiatory urbanism'/><category scheme='http://www.blogger.com/atom/ns#' term='urban informatics'/><title type='text'>betaville</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_JD8g1f5RtEk/TUX2mavRObI/AAAAAAAAA6Q/SshUoWShKuE/s1600/Screen+shot+2011-01-30+at+3.34.32+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="93" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/TUX2mavRObI/AAAAAAAAA6Q/SshUoWShKuE/s200/Screen+shot+2011-01-30+at+3.34.32+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;"“A living city is always in Beta. Let’s play.” That is the tagline of &lt;a href="http://bxmc.poly.edu/betaville" target="_blank"&gt;&lt;strong&gt;Betaville&lt;/strong&gt;&lt;/a&gt;,  a new “open source, multi-player environment for real cities”&amp;nbsp;and the  mantra of its developer, Carl Skelton, director of the Brooklyn  Experimental Media Center (&lt;a href="http://bxmc.poly.edu/" target="_blank"&gt;BxmC&lt;/a&gt;) at NYU Poly" via urbanomnibus&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-406366379529321260?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://urbanomnibus.net/2011/01/betaville/' title='betaville'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/406366379529321260'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/406366379529321260'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/01/betaville_30.html' title='betaville'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/TUX2mavRObI/AAAAAAAAA6Q/SshUoWShKuE/s72-c/Screen+shot+2011-01-30+at+3.34.32+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-3538466684902161107</id><published>2011-01-29T11:27:00.000-08:00</published><updated>2011-01-29T11:31:09.304-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='urban informatics'/><title type='text'>urban informatics</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_JD8g1f5RtEk/TURqDLIl6GI/AAAAAAAAA6E/h66ThILcU0k/s1600/urbancomputing_motherboard.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="133" src="http://2.bp.blogspot.com/_JD8g1f5RtEk/TURqDLIl6GI/AAAAAAAAA6E/h66ThILcU0k/s200/urbancomputing_motherboard.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;"So what exactly is urban informatics? Roughly said, the field includes a  wide array of computation practices that are related to the shaping of  city life. Topics vary from integrated software solutions that optimize  high way traffic flows to the design of ‘smart public spaces’ to  ‘citizen science’ projects that map pollution in a city neighborhood.  Yet, urban informatics is not the same as urban computing. It is not so  much about the technology (computing), but rather about its implications  for (human) city life" &amp;nbsp;Martijn de Waal (mobile city) &amp;nbsp; image via Nicolas Nova&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-3538466684902161107?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.themobilecity.nl/2009/02/24/' title='urban informatics'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3538466684902161107'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3538466684902161107'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/01/urban-informatics.html' title='urban informatics'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_JD8g1f5RtEk/TURqDLIl6GI/AAAAAAAAA6E/h66ThILcU0k/s72-c/urbancomputing_motherboard.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-7483865511502752413</id><published>2011-01-27T15:34:00.000-08:00</published><updated>2011-01-27T15:36:03.333-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='locative'/><category scheme='http://www.blogger.com/atom/ns#' term='soundwalk'/><category scheme='http://www.blogger.com/atom/ns#' term='soundscapes'/><title type='text'>louisiana walk</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_JD8g1f5RtEk/TUIAwFHjJDI/AAAAAAAAA6A/FNWsrWgqszw/s1600/Screen+shot+2011-01-27+at+3.32.56+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;i&gt;&lt;img border="0" height="138" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/TUIAwFHjJDI/AAAAAAAAA6A/FNWsrWgqszw/s200/Screen+shot+2011-01-27+at+3.32.56+PM.png" width="200" /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;"This is the first walk that really became a filmic soundtrack and it created a format or style that I have been experimenting with ever since. The narrative uses the device of a man offsite watching a surveillance video of a woman walking in the garden. This woman, my voice, communicates with him through the image he sees." from&amp;nbsp;www.cardiffmiller.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-7483865511502752413?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.cardiffmiller.com/artworks/walks/louisiana.html' title='louisiana walk'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7483865511502752413'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7483865511502752413'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/01/louisiana-walk.html' title='louisiana walk'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/TUIAwFHjJDI/AAAAAAAAA6A/FNWsrWgqszw/s72-c/Screen+shot+2011-01-27+at+3.32.56+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-145350524360629177</id><published>2011-01-27T15:26:00.000-08:00</published><updated>2011-01-27T15:35:39.603-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='locative'/><category scheme='http://www.blogger.com/atom/ns#' term='soundscapes'/><title type='text'>Max Neuhaus</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_JD8g1f5RtEk/TUH-7__uf-I/AAAAAAAAA58/qICkSucQsKA/s1600/Screen+shot+2011-01-27+at+3.21.22+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="116" src="http://4.bp.blogspot.com/_JD8g1f5RtEk/TUH-7__uf-I/AAAAAAAAA58/qICkSucQsKA/s200/Screen+shot+2011-01-27+at+3.21.22+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;"The first performance was for a small group of invited friends. I asked them to meet me on the corner of Avenue D and West 14th Street in Manhattan. I rubber-stamped LISTEN on each person's hand and began walking with them down 14th Street towards the East River." from www.max-neuhaus.info&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-145350524360629177?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.max-neuhaus.info/soundworks/vectors/walks/LISTEN/' title='Max Neuhaus'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/145350524360629177'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/145350524360629177'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/01/max-neuhaus.html' title='Max Neuhaus'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_JD8g1f5RtEk/TUH-7__uf-I/AAAAAAAAA58/qICkSucQsKA/s72-c/Screen+shot+2011-01-27+at+3.21.22+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-7454160670792307111</id><published>2011-01-27T15:01:00.000-08:00</published><updated>2011-01-27T15:01:59.378-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='video'/><category scheme='http://www.blogger.com/atom/ns#' term='network'/><title type='text'>aether9</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_JD8g1f5RtEk/TUH5Urg1Q3I/AAAAAAAAA54/ICqsiowITs0/s1600/Screen+shot+2011-01-27+at+2.37.34+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="111" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/TUH5Urg1Q3I/AAAAAAAAA54/ICqsiowITs0/s200/Screen+shot+2011-01-27+at+2.37.34+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;"Aether9 is a collaborative art project exploring the field of realtime  video transmission. It was initiated in May 2007 during a workshop at  the Mapping Festival in Geneva, Switzerland. Developed by an  international group of visual artists and collectives working in  different locations (Europe, North and South America) and communicating  solely through the Internet, Aether9 is a framework for networked  video/audio performance&lt;span id="more-2"&gt;&lt;/span&gt;, and the collaborative development of dramarturgical rules particular to Internet modes of communication." &amp;nbsp;aether9.org&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-7454160670792307111?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://aether9.org/about/' title='aether9'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7454160670792307111'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7454160670792307111'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2011/01/aether9.html' title='aether9'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/TUH5Urg1Q3I/AAAAAAAAA54/ICqsiowITs0/s72-c/Screen+shot+2011-01-27+at+2.37.34+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-6473097419706016296</id><published>2010-11-21T17:12:00.000-08:00</published><updated>2010-11-21T17:12:27.536-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>loca lab</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_JD8g1f5RtEk/TOnDbHEygtI/AAAAAAAAA5w/jGaUgrlUtCo/s1600/Screen+shot+2010-11-21+at+5.11.58+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="61" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/TOnDbHEygtI/AAAAAAAAA5w/jGaUgrlUtCo/s200/Screen+shot+2010-11-21+at+5.11.58+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;strong&gt;"Loca: Set To Discoverable&lt;/strong&gt; enables people to question            the networks they populate, and to consider how the trail of digital            identities people leave behind them can be used for good or ill. It            asks what happens when it is easy for everyone to track everyone, when            surveillance is possible using consumer level technology within peer-to-peer            networks without being routed through a central point?"&amp;nbsp; loc lab&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-6473097419706016296?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.loca-lab.org/' title='loca lab'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6473097419706016296'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6473097419706016296'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2010/11/loca-lab.html' title='loca lab'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/TOnDbHEygtI/AAAAAAAAA5w/jGaUgrlUtCo/s72-c/Screen+shot+2010-11-21+at+5.11.58+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-1637284002732181068</id><published>2010-11-21T17:05:00.000-08:00</published><updated>2010-11-21T17:05:52.655-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>walkspace</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_JD8g1f5RtEk/TOnB4nYs2gI/AAAAAAAAA5s/Y0XM7qUDLkk/s1600/Screen+shot+2010-11-21+at+5.05.20+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="93" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/TOnB4nYs2gI/AAAAAAAAA5s/Y0XM7qUDLkk/s200/Screen+shot+2010-11-21+at+5.05.20+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;"A walk route is generated  based on your current location. Each walk has  waypoints along the route and as you navigate your route you will be  given the option to take a photograph at each one which will then appear  as a pop-up on tapping the waypoint pin.   When the walk is completed you can share a map of the route of your  walk and the photographs you took along the way by email." walkspace.org&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-1637284002732181068?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.walkspace.org/' title='walkspace'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1637284002732181068'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1637284002732181068'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2010/11/walkspace.html' title='walkspace'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/TOnB4nYs2gI/AAAAAAAAA5s/Y0XM7qUDLkk/s72-c/Screen+shot+2010-11-21+at+5.05.20+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-4764770818154890406</id><published>2010-11-21T16:59:00.000-08:00</published><updated>2010-11-21T17:00:17.910-08:00</updated><title type='text'>the silence</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://4.bp.blogspot.com/_JD8g1f5RtEk/TOnATxsHQZI/AAAAAAAAA5o/J3laoN-ZBkk/s1600/Screen+shot+2010-11-21+at+4.55.17+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="136" src="http://4.bp.blogspot.com/_JD8g1f5RtEk/TOnATxsHQZI/AAAAAAAAA5o/J3laoN-ZBkk/s200/Screen+shot+2010-11-21+at+4.55.17+PM.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="text"&gt;"Launched at the Sonic Arts Expo and a pilot  study in Boulder, Colorado. It enables you to capture and share your  sonic experiences. You can record and collect sounds, create and share  soundwalks and soundscapes, and use them as conversation pieces of a  social dialogue about the places and communities in which we live and  that we share. The result is an affective geography that changes over  time according to participants' perceptions and interpretations of their  environmental settings."&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-4764770818154890406?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.thesilence.org/index2.html' title='the silence'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4764770818154890406'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4764770818154890406'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2010/11/silence.html' title='the silence'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_JD8g1f5RtEk/TOnATxsHQZI/AAAAAAAAA5o/J3laoN-ZBkk/s72-c/Screen+shot+2010-11-21+at+4.55.17+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-5145680628242963780</id><published>2010-10-01T23:45:00.000-07:00</published><updated>2010-10-02T00:00:23.815-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Nigel Thrift'/><title type='text'>Thrift _ Beyond Mediation</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_JD8g1f5RtEk/TKbYdxItM9I/AAAAAAAAA5g/s8iPZ_ONMbY/s1600/oregon-starfish.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="150" src="http://4.bp.blogspot.com/_JD8g1f5RtEk/TKbYdxItM9I/AAAAAAAAA5g/s8iPZ_ONMbY/s200/oregon-starfish.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;Nigel Thrift&lt;br /&gt;Beyond Mediation: Three Material Registers and their Consequences&lt;br /&gt;&lt;br /&gt;"Though it is true that the surfaces of materiality are being changed in line with the interests of the powerful, I hope to have shown... that what is actually emerging is something much less direct and much more nuanced, a materiality which still retains spaces for contingency, complexity, and a sense of wonder."  three material registers, p249&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-5145680628242963780?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5145680628242963780'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5145680628242963780'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2010/10/thrift-beyond-mediation.html' title='Thrift _ Beyond Mediation'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_JD8g1f5RtEk/TKbYdxItM9I/AAAAAAAAA5g/s8iPZ_ONMbY/s72-c/oregon-starfish.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-1228006555984723480</id><published>2009-10-26T12:25:00.000-07:00</published><updated>2009-10-26T12:31:34.594-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='video art'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>field works</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_JD8g1f5RtEk/SuX40gSv07I/AAAAAAAAA4g/raV5ywl9GQI/s1600-h/Picture+18.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/SuX40gSv07I/AAAAAAAAA4g/raV5ywl9GQI/s200/Picture+18.png" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style= &gt;"Field-Works" is a series of projects which reconstrusted collective memories into cyberspace as a kind of video archive by using position data captured by GPS and moving image captured by Video."&amp;nbsp; a &lt;/span&gt;&lt;span style="color: black;"&gt; Masaki Fujihata project&lt;/span&gt;&lt;span style="color: white;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-1228006555984723480?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.field-works.net/' title='field works'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1228006555984723480'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1228006555984723480'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/10/field-works.html' title='field works'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/SuX40gSv07I/AAAAAAAAA4g/raV5ywl9GQI/s72-c/Picture+18.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-3791472270560749976</id><published>2009-10-26T10:32:00.000-07:00</published><updated>2009-10-26T10:32:25.670-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='interface'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>digital street corner</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SuXcxuAdwgI/AAAAAAAAA4Q/tX6Pec7kD1w/s1600-h/Picture+6.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SuXcxuAdwgI/AAAAAAAAA4Q/tX6Pec7kD1w/s200/Picture+6.png" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: x-small;"&gt;“The                      DIGITAL Street Corner” is not the kind of artwork that                      one simply looks at on the wall of a gallery or a museum.                      It’s an interactive environment that one can enter and                      explore from anywhere in the world. It’s an open window                      to an artistic net/work co-created in real time by people                      on the Internet."&amp;nbsp; fredforest, www.webnetmuseum.org&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-3791472270560749976?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.fredforest.com/fredforest.htm' title='digital street corner'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3791472270560749976'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3791472270560749976'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/10/digital-street-corner.html' title='digital street corner'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SuXcxuAdwgI/AAAAAAAAA4Q/tX6Pec7kD1w/s72-c/Picture+6.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-268075585501504366</id><published>2009-10-17T17:06:00.000-07:00</published><updated>2009-10-17T17:07:14.393-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ubicomp'/><category scheme='http://www.blogger.com/atom/ns#' term='mediascapes'/><title type='text'>hyperhabitat</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_JD8g1f5RtEk/StpcFo7MPRI/AAAAAAAAA4I/nUSNrXu__PQ/s1600-h/Picture+4.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/StpcFo7MPRI/AAAAAAAAA4I/nUSNrXu__PQ/s200/Picture+4.png" /&gt;&lt;/a&gt;"Just like a digital network is made of nodes and connections, Guallart's model is a large-scale attempt to have all the elements of the physical world communicate with each other. The house functions as a small ecosystem, where each object is a piece of a widely distributed intelligence, able to interact with the others. Architecture becomes the interface that enables us to inhabit the world."&amp;nbsp; Regine, WeMakeMoneyNotArt&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-268075585501504366?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.we-make-money-not-art.com/archives/ubiquitous_computing/' title='hyperhabitat'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/268075585501504366'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/268075585501504366'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/10/hyperhabitat.html' title='hyperhabitat'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/StpcFo7MPRI/AAAAAAAAA4I/nUSNrXu__PQ/s72-c/Picture+4.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-3074640035800398108</id><published>2009-10-17T17:02:00.000-07:00</published><updated>2009-10-17T17:08:33.798-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mediascapes'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='prototype'/><title type='text'>spatial information structures</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_JD8g1f5RtEk/Stpa_kM5HAI/AAAAAAAAA4A/6ByFwzieWuc/s1600-h/Picture+3.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_JD8g1f5RtEk/Stpa_kM5HAI/AAAAAAAAA4A/6ByFwzieWuc/s200/Picture+3.png" /&gt;&lt;/a&gt;"The impact of new information technologies on living space is explored here. We will construct real-scale prototypes in order to experiment with the integration of communication technologies into the physical spaces of the domestic environment by means of new interfaces using advanced data networks, integrating information into everyday life and approaching the construction of new spatial and information structures through the optimum combination of intelligent logic and physical form."&amp;nbsp; Metàpolis / MIT Media Lab / Fundació Politècnica de Catalunya / Escola Elisava / I2Cat.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-3074640035800398108?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.iaac.net/research-group/groups-1/rd5-media-architecture-36' title='spatial information structures'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3074640035800398108'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3074640035800398108'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/10/media-architecture.html' title='spatial information structures'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_JD8g1f5RtEk/Stpa_kM5HAI/AAAAAAAAA4A/6ByFwzieWuc/s72-c/Picture+3.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-5332162826622294772</id><published>2009-10-13T10:44:00.000-07:00</published><updated>2009-10-13T10:44:44.505-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>place blogger</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_JD8g1f5RtEk/StS8X2JHXvI/AAAAAAAAA34/R5GrNNvQY6M/s1600-h/Picture+10.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/StS8X2JHXvI/AAAAAAAAA34/R5GrNNvQY6M/s200/Picture+10.png" /&gt;&lt;/a&gt;"Placeblogger is a site where you can search for local sources of news, information, and community near where you live, work and travel."&amp;nbsp; placeblogger.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-5332162826622294772?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.placeblogger.com/' title='place blogger'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5332162826622294772'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5332162826622294772'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/10/place-blogger.html' title='place blogger'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/StS8X2JHXvI/AAAAAAAAA34/R5GrNNvQY6M/s72-c/Picture+10.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-7117308159063214973</id><published>2009-10-11T18:43:00.000-07:00</published><updated>2009-10-11T18:53:33.406-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><category scheme='http://www.blogger.com/atom/ns#' term='memory'/><title type='text'>place and memory</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_JD8g1f5RtEk/StKJeH_2L6I/AAAAAAAAA3w/PRMmE9fPmOw/s1600-h/Picture+3.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/StKJeH_2L6I/AAAAAAAAA3w/PRMmE9fPmOw/s200/Picture+3.png" /&gt;&lt;/a&gt;&lt;b style="font-weight: normal;"&gt;"The Place + Memory Project&lt;/b&gt; is recreating those places from our past that made their mark on us–but no longer exist."&amp;nbsp; placeandmemory.org&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-7117308159063214973?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://placeandmemory.org/splash/index.php' title='place and memory'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7117308159063214973'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7117308159063214973'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/10/place-and-memory.html' title='place and memory'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/StKJeH_2L6I/AAAAAAAAA3w/PRMmE9fPmOw/s72-c/Picture+3.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-6663468392223837595</id><published>2009-10-10T19:47:00.000-07:00</published><updated>2009-10-10T19:47:42.855-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><category scheme='http://www.blogger.com/atom/ns#' term='network society'/><title type='text'>networked cultures</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_JD8g1f5RtEk/StFHP7thNUI/AAAAAAAAA3Y/vMf70fpI_Ws/s1600-h/Picture+4.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_JD8g1f5RtEk/StFHP7thNUI/AAAAAAAAA3Y/vMf70fpI_Ws/s200/Picture+4.png" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;"Networked Cultures investigates the cultural transformations under way in Europe through examining the potentials and effects of networked spatial practices. Based at Goldsmiths, University of London, the project collaborates with art, architectural and urban practices across Europe and beyond to look at ways in which contested spaces allow for a multi- inhabitation of territories and narratives across cultural, social or geographic boundaries."&amp;nbsp; networkedcultures.org&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-6663468392223837595?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://networkedcultures.org' title='networked cultures'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6663468392223837595'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6663468392223837595'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/10/networked-cultures.html' title='networked cultures'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_JD8g1f5RtEk/StFHP7thNUI/AAAAAAAAA3Y/vMf70fpI_Ws/s72-c/Picture+4.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-2516779258697394264</id><published>2009-09-29T12:48:00.000-07:00</published><updated>2009-10-10T19:54:55.262-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><category scheme='http://www.blogger.com/atom/ns#' term='tactical media'/><title type='text'>tactical media</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/_JD8g1f5RtEk/StFIz1eBi_I/AAAAAAAAA3o/-VIg7bmnztk/s1600-h/Picture+6.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_JD8g1f5RtEk/StFIz1eBi_I/AAAAAAAAA3o/-VIg7bmnztk/s200/Picture+6.png" /&gt;&lt;/a&gt;"Tactical media plays with “the ambiguity of more or less isolated groups or individuals, caught in the liberal-democratic consensus, working outside the safety of the Party or Movement, in a multi-disciplinary environment full of mixed backgrounds and expectations.” It is also “about the art of getting access, hacking the power and disappearing at the right moment.” While “tactical media are opposition channels, finding their way to break out of the subcultural ghetto” it is also “a deliberately slippery term, a tool for creating ‘temporary consensus zones’ based on unexpected alliances."  McKenzie Wark, Realtime Arts&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-2516779258697394264?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://rt.airstrip.com.au/article/issue51/6864' title='tactical media'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/2516779258697394264'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/2516779258697394264'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/09/tactical-media.html' title='tactical media'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_JD8g1f5RtEk/StFIz1eBi_I/AAAAAAAAA3o/-VIg7bmnztk/s72-c/Picture+6.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-7885198108818464225</id><published>2009-09-17T22:17:00.000-07:00</published><updated>2009-09-29T13:01:11.356-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='location'/><category scheme='http://www.blogger.com/atom/ns#' term='magnetic field'/><title type='text'>sense of direction</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SsJnf5eruhI/AAAAAAAAA3M/6RjuPnaxtYo/s1600-h/Picture+3.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 112px;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SsJnf5eruhI/AAAAAAAAA3M/6RjuPnaxtYo/s200/Picture+3.png" alt="" id="BLOGGER_PHOTO_ID_5386981901991655954" border="0" /&gt;&lt;/a&gt;"...Birds rely on the location of the sunset to deter-mine which way to fly. To maintain that heading throughout the night, they sense the Earth's magnetic field, just like a pilot uses a compass at night or in bad weather. "It is the simplest and most foolproof orientation mech-anism we can imagine," Wikelski said."  by Steven Schultz&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-7885198108818464225?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.princeton.edu/pr/pwb/04/0503/1b.shtml' title='sense of direction'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7885198108818464225'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7885198108818464225'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/09/sense-of-direction.html' title='sense of direction'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SsJnf5eruhI/AAAAAAAAA3M/6RjuPnaxtYo/s72-c/Picture+3.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-3926508072730369084</id><published>2009-09-17T15:22:00.000-07:00</published><updated>2009-09-17T15:27:30.353-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>wayfinding</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JD8g1f5RtEk/SrK3ssP-IBI/AAAAAAAAA28/TEIW3BfqXO4/s1600-h/Picture+3.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 110px;" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/SrK3ssP-IBI/AAAAAAAAA28/TEIW3BfqXO4/s200/Picture+3.png" alt="" id="BLOGGER_PHOTO_ID_5382566483081437202" border="0" /&gt;&lt;/a&gt;"The ideal wayfinding system dissolves into behaviour. It requires no inputs, and automatically knows our location and destination. Its feedback to us can take the form of subtle visual, audible or tactile cues – highlighting the path ahead on some display, or even providing a gentle tap on the shoulder when we move in the wrong direction."  Johnny Holland.org&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-3926508072730369084?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://johnnyholland.org/2009/09/15/wayfinding-through-technology/' title='wayfinding'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3926508072730369084'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3926508072730369084'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/09/wayfinding.html' title='wayfinding'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/SrK3ssP-IBI/AAAAAAAAA28/TEIW3BfqXO4/s72-c/Picture+3.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-6503525261104668907</id><published>2009-09-16T16:38:00.000-07:00</published><updated>2009-09-16T16:41:12.236-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='environmental markup'/><category scheme='http://www.blogger.com/atom/ns#' term='augmented reality'/><category scheme='http://www.blogger.com/atom/ns#' term='sensors'/><title type='text'>pachube</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_JD8g1f5RtEk/SrF3fNoitXI/AAAAAAAAA1s/htrklt5bpAY/s1600-h/Picture+2.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 97px;" src="http://2.bp.blogspot.com/_JD8g1f5RtEk/SrF3fNoitXI/AAAAAAAAA1s/htrklt5bpAY/s200/Picture+2.png" alt="" id="BLOGGER_PHOTO_ID_5382214407803811186" border="0" /&gt;&lt;/a&gt;&lt;b&gt;"Pachube&lt;/b&gt; is a web service available at &lt;a href="http://www.pachube.com/" title="http://www.pachube.com"&gt;http://www.pachube.com&lt;/a&gt; that enables you to store, share &amp;amp; discover realtime sensor, energy and environment data from objects, devices &amp;amp; buildings around the world. Pachube is a convenient, secure &amp;amp; scalable platform that helps you connect to &amp;amp; build the 'internet of things'."  uh@pachube&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-6503525261104668907?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.pachube.com' title='pachube'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6503525261104668907'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6503525261104668907'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/09/pachube.html' title='pachube'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrF3fNoitXI/AAAAAAAAA1s/htrklt5bpAY/s72-c/Picture+2.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-8071936189235271700</id><published>2009-08-02T03:34:00.000-07:00</published><updated>2009-08-02T03:37:32.983-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='urban sensing'/><category scheme='http://www.blogger.com/atom/ns#' term='particiatory urbanism'/><category scheme='http://www.blogger.com/atom/ns#' term='digital infrastructure'/><title type='text'>pervasive information systems</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JD8g1f5RtEk/SnVsRuLv6fI/AAAAAAAAA1A/fL99nfChgA0/s1600-h/Picture+5.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 132px;" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/SnVsRuLv6fI/AAAAAAAAA1A/fL99nfChgA0/s200/Picture+5.png" alt="" id="BLOGGER_PHOTO_ID_5365313582792698354" border="0" /&gt;&lt;/a&gt;"... digital activity is a layer in interface with the city. It’s not a separate virtual space, as some seem to think, but it’s augmenting our physical space. As he points out, we’re hardly going to change or destroy all these existing buildings and spaces anytime soon – urban form just doesn’t change that quickly, but the profound changes in the way cities feel and function may be in this internet-enabled informational layer."  &lt;span class="post-footers"&gt;Dan Hill, City of Sound (&lt;/span&gt;&lt;a href="http://www.carloratti.com/"&gt;Carlo Ratti Associati&lt;/a&gt;)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-8071936189235271700?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.cityofsound.com/blog/2009/07/towards-a-new-architect-an-interview-with-carlo-ratti.html' title='pervasive information systems'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8071936189235271700'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8071936189235271700'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/08/pervasive-information-systems.html' title='pervasive information systems'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/SnVsRuLv6fI/AAAAAAAAA1A/fL99nfChgA0/s72-c/Picture+5.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-8727242409455713376</id><published>2009-07-29T00:11:00.000-07:00</published><updated>2009-07-29T00:20:20.185-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='street theater'/><category scheme='http://www.blogger.com/atom/ns#' term='theater'/><category scheme='http://www.blogger.com/atom/ns#' term='street art'/><title type='text'>street theater</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JD8g1f5RtEk/Sm_3PBv7v5I/AAAAAAAAA04/yaSGbtZqHpA/s1600-h/Picture+3.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 124px;" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/Sm_3PBv7v5I/AAAAAAAAA04/yaSGbtZqHpA/s200/Picture+3.png" alt="" id="BLOGGER_PHOTO_ID_5363777518761131922" border="0" /&gt;&lt;/a&gt;&lt;span style="font-family:Arial,Helvetica,sans-serif;"&gt;&lt;strong&gt;&lt;span style="font-weight: normal;font-family:verdana;font-size:100%;"  &gt;"NIGHT            LIGHTS... pioneers the concept of a drive in stage...  Drama by founder of Teatro Patologico portrays a precarious liaison            between a female University professor and a male ex-convict in an urban street. Audience will view the live action from parked cars, listening with            headsets."  teatropatalogico.org&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-8727242409455713376?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://teatropatologico.org/nightlightsplay/index.html' title='street theater'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8727242409455713376'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8727242409455713376'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/07/street-theater.html' title='street theater'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/Sm_3PBv7v5I/AAAAAAAAA04/yaSGbtZqHpA/s72-c/Picture+3.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-3374286125738401942</id><published>2009-07-23T15:40:00.000-07:00</published><updated>2009-07-23T15:42:59.079-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='public space'/><category scheme='http://www.blogger.com/atom/ns#' term='network'/><title type='text'>free visible network</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_JD8g1f5RtEk/SmjnYq_7KTI/AAAAAAAAA0w/hzmSijyi8ng/s1600-h/Picture+2.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 105px;" src="http://4.bp.blogspot.com/_JD8g1f5RtEk/SmjnYq_7KTI/AAAAAAAAA0w/hzmSijyi8ng/s200/Picture+2.png" alt="" id="BLOGGER_PHOTO_ID_5361789767429859634" border="0" /&gt;&lt;/a&gt;"The &lt;em&gt;Free Network Visible Network &lt;/em&gt;project, propose to make visible the interchanged information between computers of a wireless network connected to Internet. The main objective is to ask for the free access to the net and at the same time to make actions in the urban landscape as a way to create new meanings in the public domain.  Our intention is to contribute to the re-definition and re-vitalization of the concept of public space through the creation of visible connectivity networks that mix the physical public space with the digital public space."  lalalab.org&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-3374286125738401942?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.lalalab.org/redvisible/index_en.htm' title='free visible network'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3374286125738401942'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3374286125738401942'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/07/free-visible-network.html' title='free visible network'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_JD8g1f5RtEk/SmjnYq_7KTI/AAAAAAAAA0w/hzmSijyi8ng/s72-c/Picture+2.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-6751090761753143137</id><published>2009-06-13T20:56:00.000-07:00</published><updated>2009-06-13T22:55:19.993-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='play'/><category scheme='http://www.blogger.com/atom/ns#' term='interface'/><category scheme='http://www.blogger.com/atom/ns#' term='cybernetics'/><title type='text'>the unworkable interface</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SjSQDEogRpI/AAAAAAAAA0o/7zgWmw5-9yg/s1600-h/Picture+1.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 174px;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SjSQDEogRpI/AAAAAAAAA0o/7zgWmw5-9yg/s200/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5347057040053257874" border="0" /&gt;&lt;/a&gt;"The notion of the interface becomes very important for example in the science of cybernetics, for it is the place where ﬂesh meets metal or, in the case of systems theory, the interface is the place where information moves from one entity to another, from one node to another within the system.   " Alexander Galloway, The Unworkable Interface&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-6751090761753143137?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6751090761753143137'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6751090761753143137'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/06/unworkable-interface.html' title='the unworkable interface'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SjSQDEogRpI/AAAAAAAAA0o/7zgWmw5-9yg/s72-c/Picture+1.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-7331574781758594355</id><published>2009-04-30T23:53:00.000-07:00</published><updated>2009-04-30T23:57:42.736-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='surrealism'/><category scheme='http://www.blogger.com/atom/ns#' term='interactive art'/><category scheme='http://www.blogger.com/atom/ns#' term='cybernetics'/><title type='text'>cybernetic future</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_JD8g1f5RtEk/SfqdRkGnilI/AAAAAAAAA0Y/xjOfOeMmjQI/s1600-h/pp3-600-1-of-1-9-430x286.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 133px;" src="http://2.bp.blogspot.com/_JD8g1f5RtEk/SfqdRkGnilI/AAAAAAAAA0Y/xjOfOeMmjQI/s200/pp3-600-1-of-1-9-430x286.jpg" alt="" id="BLOGGER_PHOTO_ID_5330746034021173842" border="0" /&gt;&lt;/a&gt;"Beesley is more concerned with modeling organic systems of behavior—processes of “communication and control,” to borrow a phrase from the cyberneticists of the 1940s and 50s....  This work is not meant merely to be looked at, but rather to act directly on the human occupant, evoking instinctive emotional responses."  &lt;strong&gt;Joseph Clarke&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-7331574781758594355?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.core.form-ula.com/polemics-of-a-cybernetic-future/' title='cybernetic future'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7331574781758594355'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7331574781758594355'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/04/cybernetic-future.html' title='cybernetic future'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_JD8g1f5RtEk/SfqdRkGnilI/AAAAAAAAA0Y/xjOfOeMmjQI/s72-c/pp3-600-1-of-1-9-430x286.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-8277513878091195639</id><published>2009-04-30T22:18:00.000-07:00</published><updated>2009-04-30T22:23:15.354-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cinema'/><category scheme='http://www.blogger.com/atom/ns#' term='subject'/><category scheme='http://www.blogger.com/atom/ns#' term='film'/><category scheme='http://www.blogger.com/atom/ns#' term='light'/><title type='text'>anthony mcall</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JD8g1f5RtEk/SfqHPE9Y0yI/AAAAAAAAA0Q/63gTu9WHSJY/s1600-h/mccall.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 137px;" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/SfqHPE9Y0yI/AAAAAAAAA0Q/63gTu9WHSJY/s200/mccall.jpg" alt="" id="BLOGGER_PHOTO_ID_5330721802045412130" border="0" /&gt;&lt;/a&gt;"In these works, the artist sought to deconstruct cinema by reducing film to its principle components of time and light and removing the screen entirely as the prescribed surface for projection. The works also shift the relationship of the audience to film, as viewers become participants, their bodies intersecting and modifying the transitory forms." Serpentine Gallery&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-8277513878091195639?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.serpentinegallery.org/2007/04/anthony_mccalldecember_2007_ja.html' title='anthony mcall'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8277513878091195639'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8277513878091195639'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/04/anthony-mcall.html' title='anthony mcall'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/SfqHPE9Y0yI/AAAAAAAAA0Q/63gTu9WHSJY/s72-c/mccall.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-8791106110712339878</id><published>2009-04-19T23:46:00.000-07:00</published><updated>2009-04-19T23:56:06.357-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='open source'/><category scheme='http://www.blogger.com/atom/ns#' term='hybrid reality'/><title type='text'>jenny everywhere</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SewbscSzdHI/AAAAAAAAA0A/rWZ5l6RIZzU/s1600-h/Picture+4.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 128px; height: 200px;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SewbscSzdHI/AAAAAAAAA0A/rWZ5l6RIZzU/s200/Picture+4.png" alt="" id="BLOGGER_PHOTO_ID_5326662909595710578" border="0" /&gt;&lt;/a&gt;"Jenny Everywhere is described both as existing in every reality and being able to shift between realities. This gives the character the ability to be inserted into the continuity of any existing or new work, such as various &lt;a href="http://en.wikipedia.org/wiki/Comics" title="Comics"&gt;comics&lt;/a&gt; or &lt;a href="http://en.wikipedia.org/wiki/Webcomic" title="Webcomic"&gt;webcomics&lt;/a&gt;. The concept may also be extended to other media as well."  wiki&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-8791106110712339878?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://en.wikipedia.org/wiki/Jenny_Everywhere' title='jenny everywhere'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8791106110712339878'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8791106110712339878'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/04/jenny-everywhere.html' title='jenny everywhere'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SewbscSzdHI/AAAAAAAAA0A/rWZ5l6RIZzU/s72-c/Picture+4.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-1379482956003941197</id><published>2009-04-14T10:12:00.000-07:00</published><updated>2009-04-14T10:19:44.498-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='identity'/><category scheme='http://www.blogger.com/atom/ns#' term='biotech'/><category scheme='http://www.blogger.com/atom/ns#' term='science fiction'/><title type='text'>Corpus Extremus</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_JD8g1f5RtEk/SeTFCnl9N_I/AAAAAAAAAz4/NEzzmigl-C0/s1600-h/Picture+2.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 179px; height: 200px;" src="http://2.bp.blogspot.com/_JD8g1f5RtEk/SeTFCnl9N_I/AAAAAAAAAz4/NEzzmigl-C0/s200/Picture+2.png" alt="" id="BLOGGER_PHOTO_ID_5324597308237363186" border="0" /&gt;&lt;/a&gt;"Stelarc’s video is one the more grisly highlights of “Corpus Extremus (LIFE+),” an exhibit about the wonders and horrors of “PostNatural History,” and the ways in which technology is blurring the traditional notions of life, death and identity." Dennis Overbye, nytimes&lt;br /&gt;&lt;br /&gt;www.exitart.org/corpusextremus&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-1379482956003941197?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.nytimes.com/2009/04/14/science/14corp.html' title='Corpus Extremus'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1379482956003941197'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1379482956003941197'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/04/corpus-extremus.html' title='Corpus Extremus'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_JD8g1f5RtEk/SeTFCnl9N_I/AAAAAAAAAz4/NEzzmigl-C0/s72-c/Picture+2.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-35698479027028245</id><published>2009-04-12T20:11:00.000-07:00</published><updated>2009-04-12T20:13:21.049-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><category scheme='http://www.blogger.com/atom/ns#' term='hyperlocal'/><title type='text'>hyperlocal</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_JD8g1f5RtEk/SeKtpio3VOI/AAAAAAAAAzw/y3FMFUxfxfQ/s1600-h/13hyperlocal01-190.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 190px; height: 143px;" src="http://2.bp.blogspot.com/_JD8g1f5RtEk/SeKtpio3VOI/AAAAAAAAAzw/y3FMFUxfxfQ/s200/13hyperlocal01-190.jpg" alt="" id="BLOGGER_PHOTO_ID_5324008638689793250" border="0" /&gt;&lt;/a&gt;“Our democracy is based upon geography, and we believe local information is such a core need for our democracy to survive.” Gary Kebbel, Knight Foundation&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-35698479027028245?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.nytimes.com/2009/04/13/technology/start-ups/13hyperlocal.html?hpw' title='hyperlocal'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/35698479027028245'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/35698479027028245'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/04/hyperlocal.html' title='hyperlocal'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_JD8g1f5RtEk/SeKtpio3VOI/AAAAAAAAAzw/y3FMFUxfxfQ/s72-c/13hyperlocal01-190.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-8851383672065700867</id><published>2009-03-25T12:27:00.000-07:00</published><updated>2009-03-25T12:36:20.303-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='relational aesthetics'/><category scheme='http://www.blogger.com/atom/ns#' term='actor network theory'/><title type='text'>relational effects</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JD8g1f5RtEk/ScqHLS33HkI/AAAAAAAAAzo/hZ44eJ-Ae8c/s1600-h/Picture+1.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 137px;" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/ScqHLS33HkI/AAAAAAAAAzo/hZ44eJ-Ae8c/s200/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5317210938178739778" border="0" /&gt;&lt;/a&gt;"Proponents of Actor Network Theory (ANT) such as John Law (2002) and geographers such as Nigel Thrift (1996) have long argued that there are two basic approaches to space. One sees space as a container pre-existing the entities within it, and can be recognised as the projection familiar to Euclid, Descartes and what - for lack of a better word - could be termed as "the common sense opinion". Space here plays the role of a referential context - each entity within it is a priori defined byits reference to the spatial context - serving as an absolute determinant of the relations performed within. In other words,space is viewed as always primary to any relations that might be observed.  The second approach in turn, sees space as a performative effect of the relations between entities... the relational attachments between entities perform the space, not vice versa. While the first projection sees space as a static referential context, the second sees space as a dynamic relational effect."  Teodor Mitew&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-8851383672065700867?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://journal.fibreculture.org/issue13/issue13_mitew_print.html' title='relational effects'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8851383672065700867'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8851383672065700867'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/03/relational-effects.html' title='relational effects'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/ScqHLS33HkI/AAAAAAAAAzo/hZ44eJ-Ae8c/s72-c/Picture+1.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-8846491610689565600</id><published>2009-03-21T16:54:00.000-07:00</published><updated>2009-03-22T01:27:48.671-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='virtual'/><category scheme='http://www.blogger.com/atom/ns#' term='datascapes'/><category scheme='http://www.blogger.com/atom/ns#' term='deleuze'/><title type='text'>database logic and landscape art</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/ScX2Yic5TXI/AAAAAAAAAzY/pFQmHUIOHXI/s1600-h/Picture+4.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 177px; height: 111px;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/ScX2Yic5TXI/AAAAAAAAAzY/pFQmHUIOHXI/s200/Picture+4.png" alt="" id="BLOGGER_PHOTO_ID_5315925836606033266" border="0" /&gt;&lt;/a&gt;"For Delanda and before him Deleuze, virtuality is not merely a contemporary artifact of computation, but rather identifies the proximity of concrete attractors, realities which attract the actualization of systems, and which for Delanda replaces essences in philosophy. It is specifically because the virtual is real (or more real than real) that it can be explored computationally, where for example Plato's ideal forms simply can not be computed. In other words, virtuality implies a relationship to the actualization of systems in concrete terms, not transcendental terms."  Brett Stalbaum&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-8846491610689565600?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.c5corp.com/research/databaselogic.shtml' title='database logic and landscape art'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8846491610689565600'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8846491610689565600'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/03/database-logic-and-landscape-art.html' title='database logic and landscape art'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/ScX2Yic5TXI/AAAAAAAAAzY/pFQmHUIOHXI/s72-c/Picture+4.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-3300383507199172968</id><published>2009-03-15T15:28:00.000-07:00</published><updated>2009-03-15T19:45:33.889-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='situationists'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>locative situations</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JD8g1f5RtEk/Sb2Bd7aizbI/AAAAAAAAAzI/Kj2gKj1eHUs/s1600-h/Picture+2.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 101px;" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/Sb2Bd7aizbI/AAAAAAAAAzI/Kj2gKj1eHUs/s200/Picture+2.png" alt="" id="BLOGGER_PHOTO_ID_5313545486532267442" border="0" /&gt;&lt;/a&gt;"During the last museum night in Amsterdam the Amsterdam architecture institute &lt;a href="http://www.arcam.nl/evenementen/archief_nl.html" target="_blank"&gt;Arcam&lt;/a&gt; decided to have an evening about the situationists. Apparently the Dutch situationist &lt;a href="http://www.google.com/search?hl=en&amp;amp;q=situationist+constant&amp;amp;btnG=Google+Search&amp;amp;aq=f&amp;amp;oq=" target="_blank"&gt;Constant&lt;/a&gt; had (co-)written &lt;a href="http://www.arcam.nl/pdf/VerklaringvanAdamEng.pdf" target="_blank"&gt;a pamphlet&lt;/a&gt; fifty years earlier about his ideal city. The pamphet, it was revealed, could just as easily be interpreted as a joke instead of as an actual serious statement. Those silly situationists, always up to mischief."  &lt;a href="http://www.themobilecity.nl/author/tijmen/" title="Posts by tijmen"&gt;tijmen&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-3300383507199172968?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.themobilecity.nl/2008/12/07/locative-media-and-the-situationists/' title='locative situations'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3300383507199172968'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3300383507199172968'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/03/locative-situations.html' title='locative situations'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/Sb2Bd7aizbI/AAAAAAAAAzI/Kj2gKj1eHUs/s72-c/Picture+2.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-3816688409701517296</id><published>2009-02-22T23:47:00.000-08:00</published><updated>2009-02-22T23:49:56.992-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='urban playground'/><category scheme='http://www.blogger.com/atom/ns#' term='mediascapes'/><category scheme='http://www.blogger.com/atom/ns#' term='pervasive computing'/><title type='text'>hole in wall</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_JD8g1f5RtEk/SaJVBeO03rI/AAAAAAAAAy4/gK-ZNsuC84Y/s1600-h/Picture+2.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 111px;" src="http://2.bp.blogspot.com/_JD8g1f5RtEk/SaJVBeO03rI/AAAAAAAAAy4/gK-ZNsuC84Y/s200/Picture+2.png" alt="" id="BLOGGER_PHOTO_ID_5305896794779344562" border="0" /&gt;&lt;/a&gt;&lt;span style="font-family:Verdana, Arial, Helvetica, sans-serif;font-size:85%;"&gt;"Dr. Mitra heads research and development at NIIT, a leading                    computer software and training company in New Delhi. Just outside                    his office is a wall that separates his air-conditioned 21st-century                    office from a slum. Mitra decided to place a high-speed computer                    in the wall, connect it to the Internet, and watch who, if anyone,                    might use it. To his delight, curious children were immediately                    attracted to the strange new machine. "When they said, 'Can                    we touch it?'" Mitra recalls, "I said, 'It's on your side of                    the wall.' The rules say whatever is on their side, they can                    touch, so they touched it.""  via frontline/world Rory O'Connor&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-3816688409701517296?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.pbs.org/frontlineworld/stories/india/thestory.html' title='hole in wall'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3816688409701517296'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3816688409701517296'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/02/hole-in-wall.html' title='hole in wall'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_JD8g1f5RtEk/SaJVBeO03rI/AAAAAAAAAy4/gK-ZNsuC84Y/s72-c/Picture+2.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-3112822704508972459</id><published>2009-02-16T23:12:00.000-08:00</published><updated>2009-02-16T23:48:53.184-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='collectivism'/><category scheme='http://www.blogger.com/atom/ns#' term='wiki'/><category scheme='http://www.blogger.com/atom/ns#' term='Jaron Lanier'/><category scheme='http://www.blogger.com/atom/ns#' term='media'/><title type='text'>meta meta</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_JD8g1f5RtEk/SZplsqn1r2I/AAAAAAAAAyo/5h3NmPnAv-0/s1600-h/Picture+4.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 132px;" src="http://4.bp.blogspot.com/_JD8g1f5RtEk/SZplsqn1r2I/AAAAAAAAAyo/5h3NmPnAv-0/s200/Picture+4.png" alt="" id="BLOGGER_PHOTO_ID_5303663329212215138" border="0" /&gt;&lt;/a&gt;"The hive mind is for the most part stupid and boring. Why pay attention to it? The problem is in the way the Wikipedia has come to be regarded and used; how it's been elevated to such importance so quickly. And that is part of the larger pattern of the appeal of a new online collectivism that is nothing less than a resurgence of the idea that the collective is all-wise, that it is desirable to have influence concentrated in a bottleneck that can channel the collective with the most verity and force. This is different from representative democracy, or meritocracy. This idea has had dreadful consequences when thrust upon us from the extreme Right or the extreme Left in various historical periods. The fact that it's now being re-introduced today by prominent technologists and futurists, people who in many cases I know and like, doesn't make it any less dangerous." Jaron Lanier via edge.org&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-3112822704508972459?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.edge.org/3rd_culture/lanier06/lanier06_index.html' title='meta meta'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3112822704508972459'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3112822704508972459'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/02/meta-meta.html' title='meta meta'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_JD8g1f5RtEk/SZplsqn1r2I/AAAAAAAAAyo/5h3NmPnAv-0/s72-c/Picture+4.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-4570275605517631826</id><published>2009-02-16T22:43:00.000-08:00</published><updated>2011-01-29T11:32:41.519-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='urban landscape'/><category scheme='http://www.blogger.com/atom/ns#' term='digital infrastructure'/><category scheme='http://www.blogger.com/atom/ns#' term='feral city'/><title type='text'>telepathic infrastructure</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SZphWBjuJCI/AAAAAAAAAyY/FQV5OL56Q1k/s1600-h/Picture+3.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5303658542185456674" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SZphWBjuJCI/AAAAAAAAAyY/FQV5OL56Q1k/s200/Picture+3.png" style="cursor: pointer; float: left; height: 186px; margin: 0pt 10px 10px 0pt; width: 260px;" /&gt;&lt;/a&gt;&lt;span style="font-family: Verdana; font-size: 100%; line-height: 150%;"&gt;"Alongside this shift towards a more information-based, ephemeral physical city, the emergence of telepathic infrastructures is rapidly codifying, embodying and annotating what was once the most ephemeral aspect of urban living – social networks. And thus we’re seeing intense internal conflict as telepathic individuals augmented by these new technologies struggle to understand their identity within a world where every social action and relationship is recorded and visible."  &lt;/span&gt;&lt;span style="font-family: Verdana; line-height: 150%;"&gt;&lt;span style="font-size: 100%;"&gt;Anthony Townsend. via ubiwar.com&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-4570275605517631826?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://ubiwar.com/2008/09/24/information-landscapes-and-the-feral-city/' title='telepathic infrastructure'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4570275605517631826'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4570275605517631826'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/02/telepathy.html' title='telepathic infrastructure'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SZphWBjuJCI/AAAAAAAAAyY/FQV5OL56Q1k/s72-c/Picture+3.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-1453813793796169140</id><published>2009-02-15T18:27:00.000-08:00</published><updated>2009-02-15T19:10:45.689-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mapping'/><category scheme='http://www.blogger.com/atom/ns#' term='cognitive map'/><category scheme='http://www.blogger.com/atom/ns#' term='representation'/><title type='text'>cognitive map</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_JD8g1f5RtEk/SZjSU4vOWBI/AAAAAAAAAyQ/QLpxDWr-2wg/s1600-h/Blankgeneration.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 198px; height: 200px;" src="http://4.bp.blogspot.com/_JD8g1f5RtEk/SZjSU4vOWBI/AAAAAAAAAyQ/QLpxDWr-2wg/s200/Blankgeneration.jpg" alt="" id="BLOGGER_PHOTO_ID_5303219817498433554" border="0" /&gt;&lt;/a&gt;"The new political art (if it is possible at all) will have to hold to the truth of postmodernism, that is to say, to its fundamental object—the world space of multinational capital—at the same time at which it achieves a breakthrough to some as yet unimaginable new mode of representing this last, in which we may again begin to grasp our positioning as individual and collective subjects and regain a capacity to act and struggle which is at present neutralized by our spatial as well as our social confusion."  Jameson, Fredric. &lt;i&gt;Postmodernism, Or, the Cultural Logic of Late Capitalism&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-1453813793796169140?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.marxists.org/reference/subject/philosophy/works/us/jameson.htm' title='cognitive map'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1453813793796169140'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1453813793796169140'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/02/cognitive-google-mapping.html' title='cognitive map'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_JD8g1f5RtEk/SZjSU4vOWBI/AAAAAAAAAyQ/QLpxDWr-2wg/s72-c/Blankgeneration.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-5853151272226146778</id><published>2009-02-15T13:18:00.000-08:00</published><updated>2009-02-15T13:25:33.654-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='42 entertainment'/><category scheme='http://www.blogger.com/atom/ns#' term='hybrid reality'/><category scheme='http://www.blogger.com/atom/ns#' term='beast'/><category scheme='http://www.blogger.com/atom/ns#' term='mixed reality'/><category scheme='http://www.blogger.com/atom/ns#' term='alternate reality game'/><title type='text'>cloudmakers</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JD8g1f5RtEk/SZiIEEZy9KI/AAAAAAAAAyA/0O1nMeJ_7qc/s1600-h/spcb.gif"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 129px;" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/SZiIEEZy9KI/AAAAAAAAAyA/0O1nMeJ_7qc/s200/spcb.gif" alt="" id="BLOGGER_PHOTO_ID_5303138164711552162" border="0" /&gt;&lt;/a&gt;&lt;span class="default" target="_blank"&gt;"....Cloudmakers was founded as a discussion group for the interative web game centered around the film &lt;i&gt;A.I.&lt;/i&gt; We officially solved the game on July 24, 2001. Though the original game, The Beast, has ended, Cloudmakers now serves as a clearinghouse for online gaming...."  cloudmakers.org&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-5853151272226146778?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.cloudmakers.org/' title='cloudmakers'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5853151272226146778'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5853151272226146778'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/02/cloudmakers.html' title='cloudmakers'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/SZiIEEZy9KI/AAAAAAAAAyA/0O1nMeJ_7qc/s72-c/spcb.gif' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-4253746764796973557</id><published>2009-02-09T22:02:00.000-08:00</published><updated>2009-02-09T22:43:31.993-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='video art'/><category scheme='http://www.blogger.com/atom/ns#' term='mediascapes'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>hole in space</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SZEY3ZQqQBI/AAAAAAAAAx4/1keCtdLJ0lI/s1600-h/Picture+9.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 171px; height: 111px;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SZEY3ZQqQBI/AAAAAAAAAx4/1keCtdLJ0lI/s200/Picture+9.png" alt="" id="BLOGGER_PHOTO_ID_5301045576344420370" border="0" /&gt;&lt;/a&gt;"Suddenly head-to-toe, life-sized, television images of the people on the opposite coast appeared. They could now see, hear, and speak with each other as if encountering each other on the same sidewalk. No signs, sponsor logos, or credits were posted -- no explanation at all was offered."  ecafe/1980&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-4253746764796973557?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.ecafe.com/getty/HIS/' title='hole in space'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4253746764796973557'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4253746764796973557'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/02/hole-in-space.html' title='hole in space'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SZEY3ZQqQBI/AAAAAAAAAx4/1keCtdLJ0lI/s72-c/Picture+9.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-4669248001524853332</id><published>2009-02-09T15:29:00.000-08:00</published><updated>2009-02-09T15:32:50.335-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mediascapes'/><category scheme='http://www.blogger.com/atom/ns#' term='fourwalling'/><title type='text'>video environment</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_JD8g1f5RtEk/SZC9Fuc7ymI/AAAAAAAAAxw/Nuryrqbgd9s/s1600-h/Picture+3.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 184px; height: 146px;" src="http://4.bp.blogspot.com/_JD8g1f5RtEk/SZC9Fuc7ymI/AAAAAAAAAxw/Nuryrqbgd9s/s200/Picture+3.png" alt="" id="BLOGGER_PHOTO_ID_5300944667481459298" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;"V1B3&lt;/strong&gt; is an artist-led project that explores the impact of media in the built environment through curated site-specific interventions, presentations and published documentation." www.v1b3.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-4669248001524853332?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.v1b3.com/' title='video environment'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4669248001524853332'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4669248001524853332'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/02/video-environment.html' title='video environment'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_JD8g1f5RtEk/SZC9Fuc7ymI/AAAAAAAAAxw/Nuryrqbgd9s/s72-c/Picture+3.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-4801684666023324639</id><published>2009-02-09T12:42:00.000-08:00</published><updated>2009-02-09T12:43:44.805-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cinema'/><category scheme='http://www.blogger.com/atom/ns#' term='computation'/><category scheme='http://www.blogger.com/atom/ns#' term='mediascapes'/><title type='text'>Christian Moeller</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SZCVdJjIeOI/AAAAAAAAAxo/OPWn_aFNZEw/s1600-h/daisy.jpeg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 185px; height: 139px;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SZCVdJjIeOI/AAAAAAAAAxo/OPWn_aFNZEw/s200/daisy.jpeg" alt="" id="BLOGGER_PHOTO_ID_5300901089427093730" border="0" /&gt;&lt;/a&gt;"Christian Moeller is an artist working with contemporary media  technologies to produce innovative and intense physical events,  realized from handheld object to architectural scale installations.  Over the past two decades, his body of work represents one of the  original and most complex investigations of what is possible to be  revealed by the intersections of cinema, computation, music and  physical space"  www.christian-moeller.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-4801684666023324639?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.christian-moeller.com/' title='Christian Moeller'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4801684666023324639'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4801684666023324639'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/02/christian-moeller.html' title='Christian Moeller'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SZCVdJjIeOI/AAAAAAAAAxo/OPWn_aFNZEw/s72-c/daisy.jpeg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-1742770374116264761</id><published>2009-02-08T18:39:00.000-08:00</published><updated>2009-02-08T18:42:00.833-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='landscape'/><category scheme='http://www.blogger.com/atom/ns#' term='experimental geography'/><title type='text'>experimental geography</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SY-X5XQgUwI/AAAAAAAAAxg/0AvNAc_xUNE/s1600-h/Halperin_BoilingMilk.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 184px; height: 119px;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SY-X5XQgUwI/AAAAAAAAAxg/0AvNAc_xUNE/s200/Halperin_BoilingMilk.jpg" alt="" id="BLOGGER_PHOTO_ID_5300622298189943554" border="0" /&gt;&lt;/a&gt;"&lt;em&gt;Experimental Geography&lt;/em&gt; explores the distinctions between geographical study and artistic experience of the earth, as well as the juncture where the two realms collide and possibly make a new field altogether. The exhibition presents a panoptic view of this new practice through a wide range of mediums including interactive computer units, sound and video installations, photography, sculpture, and experimental cartography created by 19 artists or artist teams from six countries as well as the United States."  Rochester Art... image: Ilana Halperin&lt;em&gt;&lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-1742770374116264761?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.rochesterartcenter.org/exhibitions/2OG/2009/experimentalgeo.html' title='experimental geography'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1742770374116264761'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1742770374116264761'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/02/experimental-geography.html' title='experimental geography'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SY-X5XQgUwI/AAAAAAAAAxg/0AvNAc_xUNE/s72-c/Halperin_BoilingMilk.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-1678862373805609099</id><published>2009-02-06T18:41:00.000-08:00</published><updated>2009-02-06T18:48:20.238-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><category scheme='http://www.blogger.com/atom/ns#' term='pervasive urban gaming'/><title type='text'>here here here</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_JD8g1f5RtEk/SYz2YYXAqpI/AAAAAAAAAxY/7qNKW36MzjU/s1600-h/14.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 160px;" src="http://4.bp.blogspot.com/_JD8g1f5RtEk/SYz2YYXAqpI/AAAAAAAAAxY/7qNKW36MzjU/s200/14.jpg" alt="" id="BLOGGER_PHOTO_ID_5299881760224488082" border="0" /&gt;&lt;/a&gt;"Drawing with chalk and the aid of a GPS receiver,                                  Pete Gomes outlines shadows, persons, trash bags,                                  etc.; marks territories and defines borders for                                  things both temporary and permanent. All while                                  dutifully chalking latitude and longitude. In                                  these often large scale and impermanent drawings,                                  he points to the variable nature of position over                                  time, unseen power structures and the arbitrary                                  relationship between the physical world and the                                  coordinate system."  Bleecker, Knowlton&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-1678862373805609099?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.mutantfilm.com/wireless/here/index.htm' title='here here here'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1678862373805609099'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1678862373805609099'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/02/here-here-here.html' title='here here here'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_JD8g1f5RtEk/SYz2YYXAqpI/AAAAAAAAAxY/7qNKW36MzjU/s72-c/14.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-6858958313338070889</id><published>2009-01-31T23:19:00.000-08:00</published><updated>2009-01-31T23:24:35.390-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mapping'/><category scheme='http://www.blogger.com/atom/ns#' term='narrative'/><category scheme='http://www.blogger.com/atom/ns#' term='representation'/><title type='text'>panoramic perspectives</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_JD8g1f5RtEk/SYVNuDjOLoI/AAAAAAAAAxQ/BxPh7A5tBmQ/s1600-h/Picture+3.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 178px; height: 137px;" src="http://2.bp.blogspot.com/_JD8g1f5RtEk/SYVNuDjOLoI/AAAAAAAAAxQ/BxPh7A5tBmQ/s200/Picture+3.png" alt="" id="BLOGGER_PHOTO_ID_5297725990293614210" border="0" /&gt;&lt;/a&gt;"Suppose we could represent at once the abstract patterns of movement and the particular journeys, searches, and tours that motivated individual experience. Suppose the structuring elements of this hypertext were Lynch's various paths, edges, districts, nodes and landmarks, the features around which so many spatial stories arise and play themselves out. Suppose this artist were to construct the perfect model of the urban experience, one that was truly totalizing in its perspective. Could we as spectators comprehend such a story? Would we have time or the interest to experience the complex interweavings of its various plot strands? Could we feel its rhythms and witness the unfolding of random chance, romantic predestination, and urban indifference? Could we stand over the sum total of human experience as if it were a panorama or a picture postcard? This would be a truly celestial --and inhuman-- perspective."  Henry Jenkins&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-6858958313338070889?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://web.mit.edu/cms/People/henry3/manhattan.html' title='panoramic perspectives'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6858958313338070889'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6858958313338070889'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/01/panoramic-perspectives.html' title='panoramic perspectives'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_JD8g1f5RtEk/SYVNuDjOLoI/AAAAAAAAAxQ/BxPh7A5tBmQ/s72-c/Picture+3.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-8970995351871501858</id><published>2009-01-31T22:45:00.000-08:00</published><updated>2009-01-31T22:47:22.681-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='documentary'/><category scheme='http://www.blogger.com/atom/ns#' term='particiatory urbanism'/><category scheme='http://www.blogger.com/atom/ns#' term='transportation'/><title type='text'>streetfilms</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SYVFWAEHMGI/AAAAAAAAAxI/8YlUc_wCVrA/s1600-h/Picture+2.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 134px;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SYVFWAEHMGI/AAAAAAAAAxI/8YlUc_wCVrA/s200/Picture+2.png" alt="" id="BLOGGER_PHOTO_ID_5297716780947943522" border="0" /&gt;&lt;/a&gt;A collection of films on streets and the people that traverse and inhabit them.  streetfilms.org&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-8970995351871501858?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.streetfilms.org/' title='streetfilms'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8970995351871501858'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8970995351871501858'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/01/streetfilms.html' title='streetfilms'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SYVFWAEHMGI/AAAAAAAAAxI/8YlUc_wCVrA/s72-c/Picture+2.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-7477599922614103390</id><published>2009-01-19T21:25:00.000-08:00</published><updated>2009-01-19T21:28:36.041-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='trent reznor'/><category scheme='http://www.blogger.com/atom/ns#' term='ambient music'/><category scheme='http://www.blogger.com/atom/ns#' term='interactive art'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>year zero</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_JD8g1f5RtEk/SXVg7q7udgI/AAAAAAAAAwY/lRqIAVm_H-8/s1600-h/Picture+2.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 148px;" src="http://4.bp.blogspot.com/_JD8g1f5RtEk/SXVg7q7udgI/AAAAAAAAAwY/lRqIAVm_H-8/s200/Picture+2.png" alt="" id="BLOGGER_PHOTO_ID_5293243515297232386" border="0" /&gt;&lt;/a&gt;"Let's make this just a snapshot of something. And they came up with the mechanism, the fiction of a 20th of a second of the Internet got sent back in time and landed on our Internet. And what was nice about that was it eliminated progression of story. It eliminated the narrative."  Trent Reznor&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-7477599922614103390?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.42entertainment.com/yearzero/' title='year zero'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7477599922614103390'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7477599922614103390'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/01/year-zero.html' title='year zero'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_JD8g1f5RtEk/SXVg7q7udgI/AAAAAAAAAwY/lRqIAVm_H-8/s72-c/Picture+2.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-5969989159178539379</id><published>2009-01-19T11:55:00.000-08:00</published><updated>2009-01-19T11:57:01.933-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='soundscapes'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>soundscapes</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JD8g1f5RtEk/SXTa__1XT_I/AAAAAAAAAwQ/sK9n6b6MpCI/s1600-h/Picture+1.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 192px; height: 124px;" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/SXTa__1XT_I/AAAAAAAAAwQ/sK9n6b6MpCI/s200/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5293096255069048818" border="0" /&gt;&lt;/a&gt;&lt;span class="bold1"&gt;&lt;strong&gt;"The Silence of the Lands&lt;/strong&gt;&lt;/span&gt; enables participants to map and annotate the soundscape of urban and natural environments. Participants can record and collect ambient sounds, create and share acoustic cartographies, and use them as conversation pieces of a social dialogue about the places and communities in which they live. The result is an affective geography that changes over time according to participants' perceptions and interpretations of their environmental settings." thesilence.org&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-5969989159178539379?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.thesilence.org/' title='soundscapes'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5969989159178539379'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5969989159178539379'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/01/soundscapes.html' title='soundscapes'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/SXTa__1XT_I/AAAAAAAAAwQ/sK9n6b6MpCI/s72-c/Picture+1.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-6943959660856790493</id><published>2009-01-18T23:06:00.000-08:00</published><updated>2009-01-18T23:08:40.376-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cinema'/><category scheme='http://www.blogger.com/atom/ns#' term='gps'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>gps film</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JD8g1f5RtEk/SXQm3RrZ-VI/AAAAAAAAAwI/0pY-WbM-SYw/s1600-h/Picture+1.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 189px; height: 136px;" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/SXQm3RrZ-VI/AAAAAAAAAwI/0pY-WbM-SYw/s200/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5292898193147296082" border="0" /&gt;&lt;/a&gt;"GPS Film is a new way of watching a movie that’s based on the viewer’s location. The system is a new media artwork from Scott Hessels and is released as an open source application that runs on any GPS-enabled mobile phone or PDA."  gpsfilm.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-6943959660856790493?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.gpsfilm.com/' title='gps film'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6943959660856790493'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6943959660856790493'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/01/gps-film.html' title='gps film'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/SXQm3RrZ-VI/AAAAAAAAAwI/0pY-WbM-SYw/s72-c/Picture+1.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-9047164963484696028</id><published>2009-01-05T11:16:00.000-08:00</published><updated>2009-01-05T11:21:58.973-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='street art'/><title type='text'>roadsworth</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SWJc3LMmlaI/AAAAAAAAAwA/20OmeTMHoHc/s1600-h/Picture+1.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 135px;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SWJc3LMmlaI/AAAAAAAAAwA/20OmeTMHoHc/s200/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5287891015454594466" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family:verdana;"&gt;Peter Gibson, aka &lt;/span&gt;&lt;a style="font-family: verdana;" href="http://www.roadsworth.com/"&gt;Roadsworth&lt;/a&gt;&lt;span style="font-family:verdana;"&gt;, &lt;/span&gt;&lt;span style="font-family:verdana;"&gt;was recently commissioned by a &lt;/span&gt;&lt;a style="font-family: verdana;" href="http://en.wikipedia.org/wiki/Montreal"&gt;Montreal&lt;/a&gt;&lt;span style="font-family:verdana;"&gt; neighborhood association to help revitalize the area, known as Saint-Pierre.&lt;span style="font-style: italic;"&gt; &lt;/span&gt; The work s&lt;/span&gt;&lt;em face="verdana"&gt;&lt;/em&gt;&lt;em face="verdana"&gt;&lt;/em&gt;&lt;em style="font-family: verdana;"&gt;ymbolizes the ties between local residents that are the strength of the isolated community. The anchor points, which are painted on benches, garbage cans and flower boxes, symbolize people’s attachment to their neighbourhood.&lt;/em&gt;&lt;span style="font-family:verdana;"&gt; (brandavenue) &lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-9047164963484696028?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://brandavenue.typepad.com/brand_avenue/' title='roadsworth'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/9047164963484696028'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/9047164963484696028'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2009/01/roadsworth.html' title='roadsworth'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SWJc3LMmlaI/AAAAAAAAAwA/20OmeTMHoHc/s72-c/Picture+1.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-2955088136317056313</id><published>2008-12-16T00:19:00.000-08:00</published><updated>2008-12-16T00:23:38.148-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='surveillance'/><category scheme='http://www.blogger.com/atom/ns#' term='video art'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>recollector</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SUdleLOxZBI/AAAAAAAAAvs/MYQCgCvB3A8/s1600-h/Picture+1.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 86px;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SUdleLOxZBI/AAAAAAAAAvs/MYQCgCvB3A8/s200/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5280300657200423954" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;(re)collector&lt;/strong&gt; is a public art installation that generates films by using Cortazar’s story as a template. A network of cameras is installed around the city, programmed to recognize ‘cinematic behaviors’ corresponding to sequences in ‘Blow Up’, Antonioni’s film adaptation of Cortazar’s story.  &lt;strong&gt;James Coupe&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-2955088136317056313?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.recollector.net/' title='recollector'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/2955088136317056313'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/2955088136317056313'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/12/recollector.html' title='recollector'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SUdleLOxZBI/AAAAAAAAAvs/MYQCgCvB3A8/s72-c/Picture+1.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-8080564777651401401</id><published>2008-11-28T14:51:00.000-08:00</published><updated>2008-11-28T14:53:24.595-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='public space'/><category scheme='http://www.blogger.com/atom/ns#' term='digital infrastructure'/><category scheme='http://www.blogger.com/atom/ns#' term='wifi'/><title type='text'>wi form</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_JD8g1f5RtEk/STB2WvOrtvI/AAAAAAAAAvk/1C5BycP_zFI/s1600-h/Picture+1.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 98px;" src="http://4.bp.blogspot.com/_JD8g1f5RtEk/STB2WvOrtvI/AAAAAAAAAvk/1C5BycP_zFI/s200/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5273845296658102002" border="0" /&gt;&lt;/a&gt;"...As well as photo-essays, videos and in-depth interviews with users, and relating to this idea of making the invisible, visible, I mapped the strength of the wi-fi signal across levels 1 and 2 of the Library, the primary areas that the Library’s wi-fi is used. By taking readings across the floor of both levels, using standard wi-fi-enabled consumer equipment in order to mimic the conditions for the average user (in this case a MacBook laptop and a Nokia e65 mobile phone), I was able to construct a snapshot of the wi-fi signal strength across the Library."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-8080564777651401401?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.cityofsound.com/blog/2008/11/wi-fi-structure.html' title='wi form'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8080564777651401401'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8080564777651401401'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/11/wi-form.html' title='wi form'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_JD8g1f5RtEk/STB2WvOrtvI/AAAAAAAAAvk/1C5BycP_zFI/s72-c/Picture+1.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-5346520714655332066</id><published>2008-11-15T17:07:00.001-08:00</published><updated>2008-11-15T17:09:55.356-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='performance'/><category scheme='http://www.blogger.com/atom/ns#' term='outdoor projection'/><category scheme='http://www.blogger.com/atom/ns#' term='fourwalling'/><title type='text'>mobile performance group</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SR9ybOQNVkI/AAAAAAAAAvc/5pYN8K8bgrI/s1600-h/Picture+2.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 132px;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SR9ybOQNVkI/AAAAAAAAAvc/5pYN8K8bgrI/s200/Picture+2.png" alt="" id="BLOGGER_PHOTO_ID_5269055901054883394" border="0" /&gt;&lt;/a&gt;&lt;span class="text"&gt;"Mobile Performance Group is a collective of new media artists interested in finding new ways to present art outside of traditional venues. MPG disseminates their work by using automobiles, video projection, cell phones, FM transmission, wireless hotspots, and any other technologies that allow artist to engage the public."  &lt;a href="http://www.mattroberts.info/"&gt;Matt Roberts&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-5346520714655332066?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.mobileperformancegroup.com/about.html' title='mobile performance group'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5346520714655332066'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5346520714655332066'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/11/mobile-performance-group.html' title='mobile performance group'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SR9ybOQNVkI/AAAAAAAAAvc/5pYN8K8bgrI/s72-c/Picture+2.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-8275123488623374608</id><published>2008-11-14T14:08:00.000-08:00</published><updated>2008-11-14T14:10:52.142-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sound'/><category scheme='http://www.blogger.com/atom/ns#' term='parametric'/><category scheme='http://www.blogger.com/atom/ns#' term='jitter'/><category scheme='http://www.blogger.com/atom/ns#' term='max'/><title type='text'>sound sculpture</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JD8g1f5RtEk/SR33ZJJhW2I/AAAAAAAAAvU/COdhZHJXwsY/s1600-h/s1.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 150px;" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/SR33ZJJhW2I/AAAAAAAAAvU/COdhZHJXwsY/s200/s1.jpg" alt="" id="BLOGGER_PHOTO_ID_5268639150417992546" border="0" /&gt;&lt;/a&gt;"The central theme of sound sculpture is a synthesis of questions that inevitably emerge when architecture and sound share a context: the creation of permanent forms through transient sounds and the deconstruction of time through space and form."  Dana Karwas and Liubo Borissov&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-8275123488623374608?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.dk22.com/eyebeam1/' title='sound sculpture'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8275123488623374608'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8275123488623374608'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/11/sound-sculpture.html' title='sound sculpture'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/SR33ZJJhW2I/AAAAAAAAAvU/COdhZHJXwsY/s72-c/s1.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-5797950674600547742</id><published>2008-11-14T12:01:00.000-08:00</published><updated>2008-11-14T12:03:28.611-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='particiatory urbanism'/><category scheme='http://www.blogger.com/atom/ns#' term='mapping'/><category scheme='http://www.blogger.com/atom/ns#' term='gps'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>collaborative mapping</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JD8g1f5RtEk/SR3ZeMQ5q_I/AAAAAAAAAvM/179SJW-SkfQ/s1600-h/geoism_L3_297x184.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 124px;" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/SR3ZeMQ5q_I/AAAAAAAAAvM/179SJW-SkfQ/s200/geoism_L3_297x184.jpg" alt="" id="BLOGGER_PHOTO_ID_5268606251804765170" border="0" /&gt;&lt;/a&gt;GeoSIM (Geo Social Image Mapping) is an urban sensing system with which a group of individuals with camera-equipped mobile phones participate in collaborative/social mapping of the urban image (i.e., the texture of the urban environment) at some target geolocation. The participating group, which may either consist of dedicated individuals or the general public, manually capture geotagged images of the urban environment. The collected images are progressively used for documentation of the dynamic urban image in multiple spatial resolutions at different times.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-5797950674600547742?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://urban.cens.ucla.edu/technologies/geosim/' title='collaborative mapping'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5797950674600547742'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5797950674600547742'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/11/collaborative-mapping.html' title='collaborative mapping'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/SR3ZeMQ5q_I/AAAAAAAAAvM/179SJW-SkfQ/s72-c/geoism_L3_297x184.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-7035111795687886559</id><published>2008-11-14T11:54:00.000-08:00</published><updated>2008-11-14T11:55:57.114-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='urban sensing'/><category scheme='http://www.blogger.com/atom/ns#' term='gps'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>participatory sensing</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_JD8g1f5RtEk/SR3Xwnx8-nI/AAAAAAAAAvE/9e0pJSW1lfY/s1600-h/Picture+2.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 144px;" src="http://2.bp.blogspot.com/_JD8g1f5RtEk/SR3Xwnx8-nI/AAAAAAAAAvE/9e0pJSW1lfY/s200/Picture+2.png" alt="" id="BLOGGER_PHOTO_ID_5268604369405540978" border="0" /&gt;&lt;/a&gt;"urban sensing is about people like you—equipped with today’s mobile + web technology—systematically observing, studying, reflecting on, and sharing your unique world. through discovery and connected participation, you can see the world anew. you can tell your local story. you can make change."  urban sensing, ucla&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-7035111795687886559?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://urban.cens.ucla.edu/' title='participatory sensing'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7035111795687886559'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7035111795687886559'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/11/participatory-sensing.html' title='participatory sensing'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_JD8g1f5RtEk/SR3Xwnx8-nI/AAAAAAAAAvE/9e0pJSW1lfY/s72-c/Picture+2.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-2185020170044380288</id><published>2008-11-10T22:32:00.000-08:00</published><updated>2008-11-10T22:36:54.805-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='gps'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>gps workshop</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SRkn-RXyLpI/AAAAAAAAAu8/1hrxKxZ_C98/s1600-h/portland_wifi.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 67px;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SRkn-RXyLpI/AAAAAAAAAu8/1hrxKxZ_C98/s200/portland_wifi.jpg" alt="" id="BLOGGER_PHOTO_ID_5267285189955038866" border="0" /&gt;&lt;/a&gt;"Projects include tracking people's movements/average speed over a day or year- information collected by gps device (data record):- longitude- latitude- time- direction- altitude- speed."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-2185020170044380288?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.aliak.com/node/1628' title='gps workshop'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/2185020170044380288'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/2185020170044380288'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/11/gps-workshop.html' title='gps workshop'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SRkn-RXyLpI/AAAAAAAAAu8/1hrxKxZ_C98/s72-c/portland_wifi.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-1148575485657999751</id><published>2008-11-09T14:47:00.000-08:00</published><updated>2008-11-09T14:51:42.624-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='interactive'/><category scheme='http://www.blogger.com/atom/ns#' term='toni dove'/><category scheme='http://www.blogger.com/atom/ns#' term='live cinema'/><title type='text'>spectropia</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SRdpFGQpkPI/AAAAAAAAAu0/akKNsMIigz0/s1600-h/spectropia"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 134px;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SRdpFGQpkPI/AAAAAAAAAu0/akKNsMIigz0/s200/spectropia" alt="" id="BLOGGER_PHOTO_ID_5266793825533792498" border="0" /&gt;&lt;/a&gt;&lt;i&gt;"Spectropia&lt;/i&gt; is a hybrid work combining a theatrical event with a video game for multiple players. Motion detectors and voice recognition devices activate the video segments and soundtrack. During public screenings of the film, two tutor-players control the console and simultaneously affect the parts of the story attributed to the characters from the 20th and 21st centuries. The installation consists of &lt;span style="font-family: georgia;"&gt;several levels of interaction since the audience is asked to join in. Participants are therefore able to converse with the characters, share in their private thoughts and en&lt;/span&gt;joy a panoramic view of the action. The video images are projected onto several screens arranged in an arc in front of the audience." Vincent Bonin&lt;span style="font-family: verdana;"&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11px; font-family: georgia;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-1148575485657999751?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.fondation-langlois.org/html/e/page.php?NumPage=225' title='spectropia'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1148575485657999751'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1148575485657999751'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/11/spectropia.html' title='spectropia'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SRdpFGQpkPI/AAAAAAAAAu0/akKNsMIigz0/s72-c/spectropia' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-3650329086177990465</id><published>2008-11-09T11:26:00.000-08:00</published><updated>2008-11-09T11:37:19.195-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='hp'/><category scheme='http://www.blogger.com/atom/ns#' term='gps'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>mediascapers</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JD8g1f5RtEk/SRc7dlC96WI/AAAAAAAAAus/W1fn60IMAQ8/s1600-h/timeholepic.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 150px;" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/SRc7dlC96WI/AAAAAAAAAus/W1fn60IMAQ8/s200/timeholepic.jpg" alt="" id="BLOGGER_PHOTO_ID_5266743668579887458" border="0" /&gt;&lt;/a&gt;"Grab your GPS and get out of the car. Look at it. It still knows where you are, right? Walk to the end of the parking lot. When you get there — instead of &lt;em&gt;Turn left&lt;/em&gt; or &lt;em&gt;Turn right&lt;/em&gt; — you'll discover a whole new dimension to reality.  Mediascapes are rich in interactivity — full of sound and music, images and text, videos and animation, narrative and dialog, all embedded in the space where you’re standing."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-3650329086177990465?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.mscapers.com/what-is-a-mediascape' title='mediascapers'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3650329086177990465'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3650329086177990465'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/11/mediascapers.html' title='mediascapers'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/SRc7dlC96WI/AAAAAAAAAus/W1fn60IMAQ8/s72-c/timeholepic.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-3681876715991806457</id><published>2008-11-02T18:08:00.001-08:00</published><updated>2008-11-02T18:10:30.178-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Michael Joaquin Grey'/><title type='text'>Defamiliarizing Film</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_JD8g1f5RtEk/SQ5dMeCoUeI/AAAAAAAAAuk/kYMZCSPbsFo/s1600-h/Picture+1.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 159px;" src="http://2.bp.blogspot.com/_JD8g1f5RtEk/SQ5dMeCoUeI/AAAAAAAAAuk/kYMZCSPbsFo/s200/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5264247483246596578" border="0" /&gt;&lt;/a&gt;"Defamliarizing the familiar by granting technology and pop culture equal privilege in artistic production, Grey points the way to new forms of cultural expression that he himself pioneered. True to form, Grey riffs on biology in 'Reentry,' 'a silent cellular film visualizing past, present, and future simultaneously within a matrix of animation cells forming the larger body of another film."  Peggy MacKinnon&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-3681876715991806457?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://rhizome.org/editorial/1508' title='Defamiliarizing Film'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3681876715991806457'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3681876715991806457'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/11/defamiliarizing-film.html' title='Defamiliarizing Film'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_JD8g1f5RtEk/SQ5dMeCoUeI/AAAAAAAAAuk/kYMZCSPbsFo/s72-c/Picture+1.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-1144560126362452333</id><published>2008-10-29T18:52:00.000-07:00</published><updated>2008-10-29T19:02:33.305-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cctv'/><category scheme='http://www.blogger.com/atom/ns#' term='security camera'/><category scheme='http://www.blogger.com/atom/ns#' term='iphone'/><title type='text'>iphone camera view</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_JD8g1f5RtEk/SQkT2J2Uf6I/AAAAAAAAAuA/L6Xrqiwuh0k/s1600-h/Picture+2.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 111px;" src="http://4.bp.blogspot.com/_JD8g1f5RtEk/SQkT2J2Uf6I/AAAAAAAAAuA/L6Xrqiwuh0k/s200/Picture+2.png" alt="" id="BLOGGER_PHOTO_ID_5262759460636753826" border="0" /&gt;&lt;/a&gt;"Here is the &lt;a href="http://www.mavromatic.com/tofrom/cameraViewer_ALPHA.zip"&gt;source code&lt;/a&gt; to the cameraViewer. It’s ALPHA and not the greatest code, I only spent an hour throwing it together, so if anyone wants to help out and make it better, feel free. The concept is simple, when you load the main page “cameras.html” it pulls the images from your server."  mavromatic tech blog&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-1144560126362452333?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.mavromatic.com/archives/000647' title='iphone camera view'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1144560126362452333'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/1144560126362452333'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/10/iphone-security-camera.html' title='iphone camera view'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_JD8g1f5RtEk/SQkT2J2Uf6I/AAAAAAAAAuA/L6Xrqiwuh0k/s72-c/Picture+2.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-619943100910452897</id><published>2008-10-28T23:19:00.000-07:00</published><updated>2008-10-28T23:40:09.664-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='surveillance'/><category scheme='http://www.blogger.com/atom/ns#' term='public space'/><category scheme='http://www.blogger.com/atom/ns#' term='cctv'/><title type='text'>urban eye</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SQgFEd7HPXI/AAAAAAAAAt4/oRaVCLgvfWw/s1600-h/Picture+2.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 150px;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SQgFEd7HPXI/AAAAAAAAAt4/oRaVCLgvfWw/s200/Picture+2.png" alt="" id="BLOGGER_PHOTO_ID_5262461738892606834" border="0" /&gt;&lt;/a&gt;"A further perspective of understanding the increasing use of CCTV is the current trend of commodification urban space. Its increasing employment is described as part of a broader transformation of contemporary cities throughout Europe. Within the reconstruction of the old industrial to the new post-fordist city, which is characterised not by a mixture of functions, but first by the management of leisure and consumption, CCTV is understood as a tool of economic restructuring space."  CCTV in Europe (#15,p21)&lt;img src="file:///Users/kennethcameron/Library/Caches/TemporaryItems/moz-screenshot.jpg" alt="" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-619943100910452897?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.urbaneye.net/index.html' title='urban eye'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/619943100910452897'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/619943100910452897'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/10/urban-eye.html' title='urban eye'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SQgFEd7HPXI/AAAAAAAAAt4/oRaVCLgvfWw/s72-c/Picture+2.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-829749139296712318</id><published>2008-10-28T22:59:00.000-07:00</published><updated>2008-10-28T23:03:46.433-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='surveillance'/><category scheme='http://www.blogger.com/atom/ns#' term='public art'/><category scheme='http://www.blogger.com/atom/ns#' term='politics'/><title type='text'>public surveillance</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_JD8g1f5RtEk/SQf8t_rk71I/AAAAAAAAAtw/YRmTdrMrr80/s1600-h/Picture+1.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 110px;" src="http://1.bp.blogspot.com/_JD8g1f5RtEk/SQf8t_rk71I/AAAAAAAAAtw/YRmTdrMrr80/s200/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5262452556724236114" border="0" /&gt;&lt;/a&gt;"Surveillance of the public now extends well beyond video cameras to include vast systems of identification, data monitoring, and tracking. Public surveillance technologies are increasingly embedded in urban infrastructures, transportation systems, cell phones, identification documents, computer programs, televisions, medical and consumer products, and much more. Perceiving everyday technologies as “surveillance” requires a shift in dominant perspective, drawing attention away from supposedly isolated artifacts or experiences and toward larger socio-technical assemblages and power relations." Vanderbilt&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-829749139296712318?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.publicsurveillance.com/' title='public surveillance'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/829749139296712318'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/829749139296712318'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/10/public-surveillance.html' title='public surveillance'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_JD8g1f5RtEk/SQf8t_rk71I/AAAAAAAAAtw/YRmTdrMrr80/s72-c/Picture+1.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-950404735371451057</id><published>2008-09-20T18:06:00.000-07:00</published><updated>2008-09-20T18:10:26.509-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='surveillance'/><category scheme='http://www.blogger.com/atom/ns#' term='video art'/><category scheme='http://www.blogger.com/atom/ns#' term='gary hill'/><category scheme='http://www.blogger.com/atom/ns#' term='gordon matta clark'/><title type='text'>hole in the wall</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_JD8g1f5RtEk/SNWeyYLRr7I/AAAAAAAAAto/EFMBaUiFeRg/s1600-h/Picture+6.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://2.bp.blogspot.com/_JD8g1f5RtEk/SNWeyYLRr7I/AAAAAAAAAto/EFMBaUiFeRg/s200/Picture+6.png" alt="" id="BLOGGER_PHOTO_ID_5248275529090576306" border="0" /&gt;&lt;/a&gt;"&lt;span style="font-family:Arial,Helvetica;"&gt;Whereas many artists... were working to metaphorically "break down" the limits of the gallery wall, Gary Hill, in his first video installation, did so concretely. Using a video camera, Hill framed part of the surface of an outside wall to the same size as a monitor. He then recorded himself as he cut into the various layers of the wall until he broke through to the other side. The videotape of that process was then replayed on a monitor placed in the hole he had created."  Cleveland Museum of Art&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-950404735371451057?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.clevelandart.org/exhibcef/light/html0/3264325.html' title='hole in the wall'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/950404735371451057'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/950404735371451057'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/09/hole-in-wall.html' title='hole in the wall'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_JD8g1f5RtEk/SNWeyYLRr7I/AAAAAAAAAto/EFMBaUiFeRg/s72-c/Picture+6.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-6416572043593892710</id><published>2008-09-11T10:05:00.000-07:00</published><updated>2008-09-13T23:00:54.919-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='spectacle'/><category scheme='http://www.blogger.com/atom/ns#' term='actor'/><category scheme='http://www.blogger.com/atom/ns#' term='spectatorship'/><title type='text'>the emancipated spectator</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SMlYUtGxjFI/AAAAAAAAAtg/-jHxLNzzzk4/s1600-h/Picture+1.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SMlYUtGxjFI/AAAAAAAAAtg/-jHxLNzzzk4/s200/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5244820353778289746" border="0" /&gt;&lt;/a&gt;"We should never forget this first statement of the issue which still underpins in fact all the critiques of theatre and all the wills to change theatre. Theatre is the transmission of the disease of passivity through the disease of looking. It is easy to find this original pattern underpinning theories as different as Brecht’s epic theatre or Artaud’s “theatre de la cruauté” . What Brecht stigmatizes is the theatrical illusion which keeps the spectator in a state of hypnotism and passivity. And he calls for an active spectator, meaning a knowledgeable spectator who refuses identification takes distance from what he sees and asks why it is so . What Artaud disparages is a theatrical practice which leaves the spectator untouched, passive. And he calls for a spectator who becomes a participant in the magical or hypnotic process of identification. The solutions are opposing but they grapple differently with the same problem : turning the passive spectator- the spectator who only sees - into an active participant...."   Jacques Rancière  Frankfurt , August 2004&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-6416572043593892710?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://aaaarg.org/the-emancipated-spectator' title='the emancipated spectator'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6416572043593892710'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6416572043593892710'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/09/emancipated-spectator.html' title='the emancipated spectator'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SMlYUtGxjFI/AAAAAAAAAtg/-jHxLNzzzk4/s72-c/Picture+1.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-686710216993699497</id><published>2008-09-10T23:46:00.000-07:00</published><updated>2008-09-10T23:57:45.677-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='digital window'/><category scheme='http://www.blogger.com/atom/ns#' term='outdoor projection'/><category scheme='http://www.blogger.com/atom/ns#' term='mediascapes'/><category scheme='http://www.blogger.com/atom/ns#' term='max'/><title type='text'>sleepwalkers in amsterdam</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SMi_mhey-TI/AAAAAAAAAtY/AC9NFayGLGQ/s1600-h/video1"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SMi_mhey-TI/AAAAAAAAAtY/AC9NFayGLGQ/s200/video1" alt="" id="BLOGGER_PHOTO_ID_5244652434616416562" border="0" /&gt;&lt;/a&gt;"...Nearuki (sleepwalkers), a series of slowmotion videoes of people crossing a street (one of the sequences is also in Night for Day). It was interesting to see how the slow movements interacted with the busy indoor space, and how it reflected onto the city outside." 2007 hc gilje&lt;span class="flickr-caption"&gt;&lt;a href="http://www.flickr.com/people/hcgilje/"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-686710216993699497?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://hcgilje.wordpress.com/2007/04/29/video-installation-at-11-in-amsterdam/' title='sleepwalkers in amsterdam'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/686710216993699497'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/686710216993699497'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/09/sleepwalkers-in-amsterdam.html' title='sleepwalkers in amsterdam'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SMi_mhey-TI/AAAAAAAAAtY/AC9NFayGLGQ/s72-c/video1' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-987324670941615638</id><published>2008-09-10T23:30:00.000-07:00</published><updated>2008-09-10T23:45:46.823-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='outdoor projection'/><category scheme='http://www.blogger.com/atom/ns#' term='mediascapes'/><category scheme='http://www.blogger.com/atom/ns#' term='callibration'/><category scheme='http://www.blogger.com/atom/ns#' term='max'/><title type='text'>relief projection</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_JD8g1f5RtEk/SMi-ATQPznI/AAAAAAAAAtQ/j3gSVdMQFRs/s1600-h/Picture+7.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://3.bp.blogspot.com/_JD8g1f5RtEk/SMi-ATQPznI/AAAAAAAAAtQ/j3gSVdMQFRs/s200/Picture+7.png" alt="" id="BLOGGER_PHOTO_ID_5244650678450638450" border="0" /&gt;&lt;/a&gt;"I think the most spectacular callibration solution so far is the &lt;strong&gt;&lt;a href="http://www.cs.cmu.edu/%7Ejohnny/academic/proj4.pdf" target="_blank"&gt;“automatic projector calibration with embedded light sensors” &lt;/a&gt;&lt;/strong&gt;(pdf), a collaboration between people from Carnegie-Mellon, Mitsubishi Electric Research Lab and Stanford. They use fiberoptics and light sensors built into the objects/surfaces to be projected on, and by projecting a series of grey coded binary patterns, a custom-made software is able to adjust the image in less than a second to perfectly fit the projectionsurface."  &lt;span class="submitted"&gt;2008 — hcgilje &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-987324670941615638?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://hcgilje.wordpress.com/category/architecture/' title='relief projection'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/987324670941615638'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/987324670941615638'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/09/relief-projection.html' title='relief projection'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_JD8g1f5RtEk/SMi-ATQPznI/AAAAAAAAAtQ/j3gSVdMQFRs/s72-c/Picture+7.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-5791599375682199364</id><published>2008-06-18T18:00:00.000-07:00</published><updated>2008-06-18T18:03:32.426-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='surveillance'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><category scheme='http://www.blogger.com/atom/ns#' term='pervasive urban gaming'/><title type='text'>loca lab</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_JD8g1f5RtEk/SFmwITMwJyI/AAAAAAAAAew/dPhgFfvsGu8/s1600-h/Picture+1.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp0.blogger.com/_JD8g1f5RtEk/SFmwITMwJyI/AAAAAAAAAew/dPhgFfvsGu8/s200/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5213391700297262882" border="0" /&gt;&lt;/a&gt;"In the inverted logic of the post-Orwellian city, Loca agents, software and human, decrypt the hertzian passages of its own inhabitants. For better or for worse?" - Steve Dietz, Artistic Director, ZeroOne, via localab&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-5791599375682199364?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://loca-lab.org/' title='loca lab'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5791599375682199364'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5791599375682199364'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/06/loca-lab.html' title='loca lab'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_JD8g1f5RtEk/SFmwITMwJyI/AAAAAAAAAew/dPhgFfvsGu8/s72-c/Picture+1.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-2651770647651205093</id><published>2008-06-17T20:29:00.000-07:00</published><updated>2008-06-17T20:31:40.890-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='outdoor projection'/><category scheme='http://www.blogger.com/atom/ns#' term='fourwalling'/><title type='text'>projection bombing tutorial</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_JD8g1f5RtEk/SFiBhRGD6RI/AAAAAAAAAeo/rA3-mWR5_Fo/s1600-h/Picture+1.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp2.blogger.com/_JD8g1f5RtEk/SFiBhRGD6RI/AAAAAAAAAeo/rA3-mWR5_Fo/s200/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5213058977205840146" border="0" /&gt;&lt;/a&gt;"Outdoor digital projection in urban environments is a great method for getting your content up big before the eyes and in the minds of your fellow city inhabitants. This tutorial comes out of trial and error and it works. But please be careful. Helpful comments on safety and alternative methods are encouraged. The majority of this tutorial is aimed toward using a 2500 lumen projector (or smaller), if you have access to something more powerful you might want to skip straight to step 6." via instructables&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-2651770647651205093?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.instructables.com/id/PROJECTION-BOMBING/' title='projection bombing tutorial'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/2651770647651205093'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/2651770647651205093'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/06/projection-bombing-tutorial.html' title='projection bombing tutorial'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_JD8g1f5RtEk/SFiBhRGD6RI/AAAAAAAAAeo/rA3-mWR5_Fo/s72-c/Picture+1.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-7345931827252853048</id><published>2008-06-17T19:23:00.000-07:00</published><updated>2008-06-17T19:32:34.431-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='open network'/><category scheme='http://www.blogger.com/atom/ns#' term='politic'/><category scheme='http://www.blogger.com/atom/ns#' term='wireless network'/><title type='text'>free visible network</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_JD8g1f5RtEk/SFhyRsMYabI/AAAAAAAAAeg/9-ghrsktU_8/s1600-h/Picture+2.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 190px; height: 100px;" src="http://bp0.blogger.com/_JD8g1f5RtEk/SFhyRsMYabI/AAAAAAAAAeg/9-ghrsktU_8/s200/Picture+2.png" alt="" id="BLOGGER_PHOTO_ID_5213042216927783346" border="0" /&gt;&lt;/a&gt;"Spanish researchers Clara Boj and Diego Diaz are working on the Free Network Visible Network (04),, an augmented reality project which aims to make visible the exchanged information between computers of a wireless network.  First marks in the facades of the buildings will indicate the presence of a node, thus the possibility of connecting to the net, and at the same time to see the 3D representation of the information that we are interchanging with this node in real time."  via wemake$&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-7345931827252853048?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.we-make-money-not-art.com/archives/2004/12/free-network-vi.php' title='free visible network'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7345931827252853048'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/7345931827252853048'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/06/free-visible-network.html' title='free visible network'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_JD8g1f5RtEk/SFhyRsMYabI/AAAAAAAAAeg/9-ghrsktU_8/s72-c/Picture+2.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-8331520402645491270</id><published>2008-06-17T19:21:00.000-07:00</published><updated>2008-06-17T19:22:58.138-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='augmented reality'/><category scheme='http://www.blogger.com/atom/ns#' term='face'/><title type='text'>augmented reality</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_JD8g1f5RtEk/SFhxcr9_IMI/AAAAAAAAAeY/1L62eFpf6NU/s1600-h/0aalalaba.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 189px; height: 142px;" src="http://bp3.blogger.com/_JD8g1f5RtEk/SFhxcr9_IMI/AAAAAAAAAeY/1L62eFpf6NU/s200/0aalalaba.jpg" alt="" id="BLOGGER_PHOTO_ID_5213041306334339266" border="0" /&gt;&lt;/a&gt;"Based on an augmented reality system, &lt;a href="http://www.lalalab.org/drupal/index.php?q=en/taxonomy/term/32"&gt;AR_Magic System&lt;/a&gt; allows users to exchange head with their neighbours. You stand in front of the computer screen, next to one or more persons and after a few seconds, your head appears on the shoulder of someone else and you get a new face yourself."  via we make $&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-8331520402645491270?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.we-make-money-not-art.com/archives/augmented_reality/' title='augmented reality'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8331520402645491270'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8331520402645491270'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/06/augmented-reality.html' title='augmented reality'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_JD8g1f5RtEk/SFhxcr9_IMI/AAAAAAAAAeY/1L62eFpf6NU/s72-c/0aalalaba.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-3807207068421360908</id><published>2008-06-15T19:43:00.000-07:00</published><updated>2008-06-15T19:46:56.591-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='public space'/><category scheme='http://www.blogger.com/atom/ns#' term='placemaking'/><title type='text'>public space</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_JD8g1f5RtEk/SFXUF6psODI/AAAAAAAAAeQ/zBtCdvm0zd4/s1600-h/Picture+2.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp2.blogger.com/_JD8g1f5RtEk/SFXUF6psODI/AAAAAAAAAeQ/zBtCdvm0zd4/s200/Picture+2.png" alt="" id="BLOGGER_PHOTO_ID_5212305341859772466" border="0" /&gt;&lt;/a&gt;"Atomized spheres of influence: This street, bus stop, and library in San Antonio have no relation to each other except for a shared sense of emptiness.  But if we look upon these elements as interrelated components of a single place, we create more opportunities for local people to collaborate and jointly create a vision of what's best for the community. How can the street, park, library, and businesses support and strengthen each other?"  PPS Placemaking&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-3807207068421360908?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.pps.org/info/placemakingtools/issuepapers/great_cities_initiative' title='public space'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3807207068421360908'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/3807207068421360908'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/06/public-space.html' title='public space'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_JD8g1f5RtEk/SFXUF6psODI/AAAAAAAAAeQ/zBtCdvm0zd4/s72-c/Picture+2.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-6721512613563881625</id><published>2008-06-15T19:35:00.000-07:00</published><updated>2008-06-15T19:39:54.462-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='urban playground'/><category scheme='http://www.blogger.com/atom/ns#' term='play'/><category scheme='http://www.blogger.com/atom/ns#' term='situationist'/><title type='text'>urban play</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_JD8g1f5RtEk/SFXSCBIjJiI/AAAAAAAAAeI/zftJcDFRq-g/s1600-h/0asantanklennu.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp2.blogger.com/_JD8g1f5RtEk/SFXSCBIjJiI/AAAAAAAAAeI/zftJcDFRq-g/s200/0asantanklennu.jpg" alt="" id="BLOGGER_PHOTO_ID_5212303075857081890" border="0" /&gt;&lt;/a&gt;"The Stadtlounge's red surfacing flows over benches, tables, and art objects  throughout the Bleicheli. (A playground-style surface is used in pedestrian  areas, while car routes are paved in bright red asphalt.)" St Gallen Visitors...&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-6721512613563881625?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.we-make-money-not-art.com/archives/2008/02/010-publishers-say-groundup-ci.php' title='urban play'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6721512613563881625'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/6721512613563881625'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/06/urban-play.html' title='urban play'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_JD8g1f5RtEk/SFXSCBIjJiI/AAAAAAAAAeI/zftJcDFRq-g/s72-c/0asantanklennu.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-694111996372579425</id><published>2008-06-08T17:59:00.000-07:00</published><updated>2008-06-08T18:00:07.546-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='urban landscape'/><category scheme='http://www.blogger.com/atom/ns#' term='cinema'/><category scheme='http://www.blogger.com/atom/ns#' term='planning'/><title type='text'>metropolis now</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_JD8g1f5RtEk/SEyATPM9prI/AAAAAAAAAc0/VLRyNIBZYQ8/s1600-h/Picture+3.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 178px; height: 114px;" src="http://bp3.blogger.com/_JD8g1f5RtEk/SEyATPM9prI/AAAAAAAAAc0/VLRyNIBZYQ8/s200/Picture+3.png" alt="" id="BLOGGER_PHOTO_ID_5209679936947594930" border="0" /&gt;&lt;/a&gt;“The minds that had conceived the Tower of Babel could not build it. The task was too great. So they hired hands for wages. But the hands that built the Tower of Babel knew nothing of the dream of the brain that had conceived it. One man’s hymns of praise became other men’s curses.” From Fritz Lang’s “Metropolis,” 1927. (via A.O. Scott, nytimes)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-694111996372579425?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.nytimes.com/2008/06/08/magazine/08wwln-lede-t.html?ref=magazine' title='metropolis now'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/694111996372579425'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/694111996372579425'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/06/metropolis-now.html' title='metropolis now'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_JD8g1f5RtEk/SEyATPM9prI/AAAAAAAAAc0/VLRyNIBZYQ8/s72-c/Picture+3.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-5111306136915952020</id><published>2008-06-08T17:17:00.001-07:00</published><updated>2008-06-08T17:24:15.094-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='electronic signals'/><category scheme='http://www.blogger.com/atom/ns#' term='interface'/><category scheme='http://www.blogger.com/atom/ns#' term='mental telepathy'/><title type='text'>brainwave tracking</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_JD8g1f5RtEk/SEx4GoSItMI/AAAAAAAAAcs/SMrAlsuJD3g/s1600-h/Picture+2.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 155px; height: 90px;" src="http://bp0.blogger.com/_JD8g1f5RtEk/SEx4GoSItMI/AAAAAAAAAcs/SMrAlsuJD3g/s200/Picture+2.png" alt="" id="BLOGGER_PHOTO_ID_5209670924248855746" border="0" /&gt;&lt;/a&gt;"A new headset system picks up electrical activity from the brain, as well as from facial muscles and other spots, and translates it into on-screen commands. This lets players vanquish villains not with a click, but with a thought."  Anne Eisenberg, NYtimes&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-5111306136915952020?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.nytimes.com/2008/06/08/technology/08novel.html?8dpc' title='brainwave tracking'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5111306136915952020'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5111306136915952020'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/06/brainwave-tracking.html' title='brainwave tracking'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_JD8g1f5RtEk/SEx4GoSItMI/AAAAAAAAAcs/SMrAlsuJD3g/s72-c/Picture+2.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-722436143856085507</id><published>2008-06-06T14:11:00.000-07:00</published><updated>2008-06-06T14:14:32.989-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='swarm'/><category scheme='http://www.blogger.com/atom/ns#' term='spectatorship'/><category scheme='http://www.blogger.com/atom/ns#' term='motion detection'/><title type='text'>set pixel</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_JD8g1f5RtEk/SEmolDzo2_I/AAAAAAAAAck/qm9rBQ2I5eY/s1600-h/Picture+5.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 179px; height: 142px;" src="http://bp3.blogger.com/_JD8g1f5RtEk/SEmolDzo2_I/AAAAAAAAAck/qm9rBQ2I5eY/s200/Picture+5.png" alt="" id="BLOGGER_PHOTO_ID_5208879798661209074" border="0" /&gt;&lt;/a&gt;"Untitled Mirror is a Processing based program that reads incoming video from a camera and triggers particles from points of the video frame that have changed by a certain level. The result is an image that is fairly representative, yet disappears within moments.  An important part of this work is the fact that it keeps completely "silent" while no one is interacting with it: the screen remains white. In a sense, if there is no viewer, the work is invisible, and irrelevant. Thus, the role of the viewer is a fundamental one.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-722436143856085507?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://setpixel.com/content/?ID=ghostlymirror' title='set pixel'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/722436143856085507'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/722436143856085507'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/06/set-pixel.html' title='set pixel'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_JD8g1f5RtEk/SEmolDzo2_I/AAAAAAAAAck/qm9rBQ2I5eY/s72-c/Picture+5.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-2220267626168928076</id><published>2008-06-05T19:15:00.000-07:00</published><updated>2008-06-05T19:46:06.808-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='spectacle'/><category scheme='http://www.blogger.com/atom/ns#' term='spectatorship'/><category scheme='http://www.blogger.com/atom/ns#' term='situationist'/><title type='text'>constructing situations</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_JD8g1f5RtEk/SEik3X2mu_I/AAAAAAAAAcc/GGKveZ57goQ/s1600-h/chalk_games.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp1.blogger.com/_JD8g1f5RtEk/SEik3X2mu_I/AAAAAAAAAcc/GGKveZ57goQ/s200/chalk_games.jpg" alt="" id="BLOGGER_PHOTO_ID_5208594240256785394" border="0" /&gt;&lt;/a&gt;&lt;i&gt;“The construction of situations begins beyond the ruins of the modern spectacle.   It is easy to see how much the very principle of the spectacle — nonintervention   — is linked to the alienation of the old world. Conversely, the most pertinent   revolutionary experiments in culture have sought to break the spectators’   psychological identification with the hero so as to draw them into activity.   ...The situation is thus designed to be lived by its constructors. The role   played by a passive or merely bit-part playing ‘public’ must constantly   diminish, while that played by those who cannot be called actors, but rather, in a new   sense of the term, ‘livers,’ must steadily increase.”  &lt;/i&gt;—Report on the Construction of Situations&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-2220267626168928076?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://library.nothingness.org/articles/SI/en/display/313' title='constructing situations'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/2220267626168928076'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/2220267626168928076'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/06/constructing-situations.html' title='constructing situations'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_JD8g1f5RtEk/SEik3X2mu_I/AAAAAAAAAcc/GGKveZ57goQ/s72-c/chalk_games.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-4101900116958021586</id><published>2008-05-31T22:33:00.000-07:00</published><updated>2008-05-31T22:36:29.047-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='hybrid reality'/><category scheme='http://www.blogger.com/atom/ns#' term='hybrid space'/><title type='text'>pixel pour</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_JD8g1f5RtEk/SEI1LW2gLmI/AAAAAAAAAcU/vxvM_lumP7g/s1600-h/Picture+1.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 182px; height: 119px;" src="http://bp1.blogger.com/_JD8g1f5RtEk/SEI1LW2gLmI/AAAAAAAAAcU/vxvM_lumP7g/s200/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5206782588422729314" border="0" /&gt;&lt;/a&gt;"A wonderful instance of hybrid realities. Here, of course, the pixels are materialized through some medium that is not electronic and the hybridity is more about a semantic cross-over from pixel worlds of electronic games to the real world."  By Kelly Goeller — &lt;a href="http://www.%20kellotron.com/" onclick="javascript:pageTracker._trackPageview('/outbound/article/www. kellotron.com');"&gt;http://www. kellotron.com&lt;/a&gt;) via futurelab via... fourwall&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-4101900116958021586?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.nearfuturelaboratory.com/2008/04/22/pixel-pour/' title='pixel pour'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4101900116958021586'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/4101900116958021586'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/05/pixel-pour.html' title='pixel pour'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_JD8g1f5RtEk/SEI1LW2gLmI/AAAAAAAAAcU/vxvM_lumP7g/s72-c/Picture+1.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-918410685066026140</id><published>2008-05-28T12:15:00.000-07:00</published><updated>2008-05-28T12:17:38.106-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='public space'/><category scheme='http://www.blogger.com/atom/ns#' term='tagging'/><category scheme='http://www.blogger.com/atom/ns#' term='locative media'/><title type='text'>semapedia tagging</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_JD8g1f5RtEk/SD2vvm2gLlI/AAAAAAAAAcM/aS0ciccTLxI/s1600-h/explainer.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 171px; height: 48px;" src="http://bp1.blogger.com/_JD8g1f5RtEk/SD2vvm2gLlI/AAAAAAAAAcM/aS0ciccTLxI/s200/explainer.jpg" alt="" id="BLOGGER_PHOTO_ID_5205509976728022610" border="0" /&gt;&lt;/a&gt;"With Semapedia you can hyperlink your physical world with knowledge that matters. To do this you create small Semapedia Tags consisting of a cell-phone readable 2D Barcode that will link others to the content you provide. Or put simply: Mark things like buildings, books, airplanes, cars or whatever with small Semapedia Tags that let others be a entry-point for more information."  semapedia.org&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-918410685066026140?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.semapedia.org/community/learnmore' title='semapedia tagging'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/918410685066026140'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/918410685066026140'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/05/semapedia-tagging.html' title='semapedia tagging'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_JD8g1f5RtEk/SD2vvm2gLlI/AAAAAAAAAcM/aS0ciccTLxI/s72-c/explainer.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-8623010870731951334</id><published>2008-05-28T11:56:00.000-07:00</published><updated>2008-05-28T12:01:09.287-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='public space'/><category scheme='http://www.blogger.com/atom/ns#' term='digital infrastructure'/><category scheme='http://www.blogger.com/atom/ns#' term='network society'/><title type='text'>wikiplaza paris</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_JD8g1f5RtEk/SD2rdW2gLkI/AAAAAAAAAcE/PTEEK4yOJDQ/s1600-h/Picture+1.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 183px; height: 119px;" src="http://bp0.blogger.com/_JD8g1f5RtEk/SD2rdW2gLkI/AAAAAAAAAcE/PTEEK4yOJDQ/s200/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5205505265148898882" border="0" /&gt;&lt;/a&gt;&lt;span style="font-family: georgia;font-family:trebuchet ms;" &gt;"The public plaza (square) of the future will be like an active node of the Internet, like an Operative System, like a crossroad of flows, physical and mental, electronic and electromagnetic. The public square of the future will be a hybrid space inbetween the physical and the digital, with multiple layers; and it will be a space in permanent transformation, a social production resultant of the desires and activities of its multitudinar, nomadic, cyborg inhabitants. A space such as the situationists once imagined; but new."  &lt;/span&gt;&lt;span style="font-family: georgia;font-family:trebuchet ms;" &gt;With Benjamin Cadon, Labomedia &amp;amp; Ewen Chardronnet&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-8623010870731951334?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://mcs.hackitectura.net/tiki-index.php?page=Wikiplaza+Paris' title='wikiplaza paris'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8623010870731951334'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/8623010870731951334'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/05/wikiplaza-paris.html' title='wikiplaza paris'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_JD8g1f5RtEk/SD2rdW2gLkI/AAAAAAAAAcE/PTEEK4yOJDQ/s72-c/Picture+1.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5736293148164752229.post-5856117642333790056</id><published>2008-05-28T11:51:00.000-07:00</published><updated>2008-05-28T11:53:30.697-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='public space'/><category scheme='http://www.blogger.com/atom/ns#' term='post spectacular'/><category scheme='http://www.blogger.com/atom/ns#' term='use spaces'/><title type='text'>ecoboulevard</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_JD8g1f5RtEk/SD2p422gLjI/AAAAAAAAAb8/szYEyQxIntE/s1600-h/ecoboulevard.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp2.blogger.com/_JD8g1f5RtEk/SD2p422gLjI/AAAAAAAAAb8/szYEyQxIntE/s200/ecoboulevard.jpg" alt="" id="BLOGGER_PHOTO_ID_5205503538572045874" border="0" /&gt;&lt;/a&gt;"Each air tree is easy to assemble and move to other locations and it consumes only the energy it creates thanks to the use of &lt;a href="http://en.wikipedia.org/wiki/Photovoltaics"&gt;photovoltaic&lt;/a&gt; technology. A system of evaporation and condensation provides the air conditioning and ensures that throughout hot Spanish summers the inside of the building is 8 to 10 grades cooler than the outside."  via wemake$notart&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5736293148164752229-5856117642333790056?l=fourwalling.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.freshmadrid.com/04tat/01/proyecto.htm' title='ecoboulevard'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5856117642333790056'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5736293148164752229/posts/default/5856117642333790056'/><link rel='alternate' type='text/html' href='http://fourwalling.blogspot.com/2008/05/ecoboulevard.html' title='ecoboulevard'/><author><name>kenneth cameron</name><uri>http://www.blogger.com/profile/17404667294143159414</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_JD8g1f5RtEk/SrGKcMaWzaI/AAAAAAAAA2c/m2lNEEcncVw/S220/Photo+40.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_JD8g1f5RtEk/SD2p422gLjI/AAAAAAAAAb8/szYEyQxIntE/s72-c/ecoboulevard.jpg' height='72' width='72'/></entry></feed>
