"The poetics of the “work in movement”... sets in motion a new cycle of relations between the artist and his audience, a new mechanics of aesthetic perception, a different status for the artistic product in contemporary society. It opens a new page in sociology and in pedagogy, as well as a new chapter in the history of art. It poses new practical problems by organizing new communicative situations. In short, it installs a new relationship between the contemplation and the utilization of a work of art." Umberto Eco, “The Poetics of the Open Work” (via "Antagonism and Relational Aesthetics" by Claire Bishop)