"What if film, rather than being projected from start to finish and proceeding in a straight line, could be reconstructed and performed? Every live visual performance involving video has more or less asked that question. But not every performance tries to convey a narrative in the process. Toni Dove’s Spectropia, coming this weekend to the storied Mixology Festival at New York City’s Roulette, does just that, interweaving a sci-fi storyline across imagined future and past through gesture-controlled, computer-vision activated remix." peter kern via http://createdigitalmotion.com/2012/05/if-movies-didnt-play-forward-toni-dove-r-luke-dubois-make-gestural-live-cinema/
spectropia
Labels: expanded cinema, interactive cinema, theater, toni dove, video art
field works
Labels: locative media, video art
hole in space
"Suddenly head-to-toe, life-sized, television images of the people on the opposite coast appeared. They could now see, hear, and speak with each other as if encountering each other on the same sidewalk. No signs, sponsor logos, or credits were posted -- no explanation at all was offered." ecafe/1980
Labels: locative media, mediascapes, video art
recollector
(re)collector is a public art installation that generates films by using Cortazar’s story as a template. A network of cameras is installed around the city, programmed to recognize ‘cinematic behaviors’ corresponding to sequences in ‘Blow Up’, Antonioni’s film adaptation of Cortazar’s story. James Coupe
Labels: locative media, surveillance, video art
hole in the wall
"Whereas many artists... were working to metaphorically "break down" the limits of the gallery wall, Gary Hill, in his first video installation, did so concretely. Using a video camera, Hill framed part of the surface of an outside wall to the same size as a monitor. He then recorded himself as he cut into the various layers of the wall until he broke through to the other side. The videotape of that process was then replayed on a monitor placed in the hole he had created." Cleveland Museum of Art
Labels: gary hill, gordon matta clark, surveillance, video art
