5 stones

"kymapetra consists of 5 stones arranged in a crescent around a central basin filled with water. The spectator, laying his hand on top of a stone resonates with her. The rustling body / matter is transformed into sound vibrations. They become visible on the surface of the water in a myriad of ripples. The propagation of acoustic vibrations on the surface of the water then draws a geometric composition consists of hollow bellies. The figures vary depending on the intensity of the contact person and stones." www.scenocosme.com (via google translate)

wifi painting

"WiFi uses high frequency radio to set up a data connection between a base station and device with a WiFi receiving antenna. The WiFi signal strength describes how much of the radio waves that the base station beams off that is received by the mobile device. What you see in the light-paintings is the signal strength of a WiFi network represented as a light-painted graph." Oslo School of Architecture (Yourban), via Space and Culture

rooftop qr code

"Phillips & Co.’s new proposition, called Blue Marble, offers a “space-accessible profile” for businesses, cities, schools — anyone who wants to raise their profile. In addition to catching the attention of the odd plane passing by, Phillips says in a statement that Google Earth has been downloaded 400 million times and “by integrating a readable code into the space-accessible profile, mobile users can access dynamic marketing programs, videos, digital coupons and other content while viewing the specific geographical location.” via mashable, Todd Wasserman

achim wollscheid

redlight haze:  "A portion of the facade is overlaid with a grid of red LEDs, which change lightness or pattern according to real-time sound analyses. This interface between architecture and the by-passers is created by the relationship between common sound sources (the voices of passers-by, the noise generated by local traffic) and the programme that regulates the transformation."  selektion.com

Apo33

"Le poulpe (the octopus) is an analogical and digital organism living in a network. Each branch constitutes a sonic installation which, out of a specific location, collects its own locally generated sound effects, transforms them via a digital automaton into a new arrangement of sounds. The outcome is then broadcast locally, through loud speakers, and on the Net, through streaming. Le Poulpe belongs in the city, where people live and make noise. It gives a virtual body to this city, expressing through sounds its invisible mouvements and its continuous flows."  Apo33

coincidence engines

"Coïncidence Engines, by the Quebecois [The User], with its 1240 radio alarm clocks — beyond its obvious homage to Ligeti’s metronomes — provides an interesting perspective on working in a duo. With the diversion of their materials, via the prism of new technologies and the new social relations they create, and the poetic overlapping of structure, space and sound, the aesthetic and exploratory universe of [The User] has discovered an ideal configuration for new growth."via Digital art i

tessel

"The installation is constituted of a suspended and articulated topography of 4 x 2 m, subdivided into forty triangular mirrors. Twelve triangles are fitted with motors and eight triangles are equipped with audio transducers, which transform the surface into a dynamic sonic space. A dialogue between space and sound is created as the surface slowly modifies its shape, our perception of it altered through continuously changing light and sound reflection." d Letellier via LAb au

nine bells

"Composed in 1979, Nine Bells explores the multiple combinations of 9 suspended bells in a 3×3 grid, each bell situated 6 feet from its neighbors. The music is produced by pealing the bells following precise walking paths around the installation. The piece induces a lot of walking around, more or less rapidly, and the sound of footsteps is an integral part of this recording." Tom Johnson, via continuo

field studies

"Sound, harmony and music are intimately connected with culture and the question of good and bad sound is politically charged. Each revolution has its own music. If we listen, rather than look, there is a whole new and curious world to be discovered.....  How can listening to the city and working with recorded sound become part of the creative process of making architecture?"  via field-studies.org (london metropolitan university) image, Marc Behrens

the political economy of music

"Attali's essential argument in Noise: The Political Economy of Music is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For Marxist critics, this idea is nothing new. The novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place."  jameson via wikipedia, noise:the political economy of music (image: thurston moore, brooklynpaper)

Arsenij Avraamov

"During the early Soviet era many artists attempted to integrate technology and creativity; Avraamov's work typifies this trend. He invented a graphic-sonic art which was produced by drawing directly onto magnetic tape. He also sought to overcome equal temperament and tonality by his creation of an ‘ultrachromatic’ 48-tone system. This method was proposed in a thesis entitled Universal'naya sistema tonov (‘The Universal System of Tones’) and was realized in his demonstrations which took place in 1927 in Berlin, Frankfurt and Stuttgart. He is considered a precursor of the musique concrète movement with his Simfoniya gudkov (‘Symphony of Factory Sirens’) which was performed in Azerbaijan in 1923 and later in Moscow." via sonification.eu        

temporary personal urbanisms

"PDPal is a public art project built around the PDA (personal digital assistant), using it as a mediating and recording device that reactivates our everyday actions, transforming them into a dynamic portrait of our urban experience." via eyebeam

hide and seek

"Hide&Seek make social games and playful experiences. We expand the boundaries of play, reaching out into public space, new technologies, culture and media."  hideandseek.net

blinkenlights

"Blinkenlights, a large-scale installation created by the German hacker organisation Chaos Computer Club, first appeared on the Haus des Lehrers (House of Teachers) building at a public square in Berlin. It transformed that building into a giant computer screen, using the lights in 144 rooms (controlled via a switchboard) as ‘pixels’ to create simple animations and play ‘movies’. Participants and passers-by could then submit their own animations via their mobile phone which were displayed on the ‘screen’. Later, on the installation located at the Bibliotheque Nationale de France in Paris, participants could use their mobile phones to play arcade games on the building’s facade." D Leorke, Locative Gaming and the Global City

soundwalk

"Audio Tours for People Who Don't Normally Take Audio Tours. An innovative product appropriate to this new millennium, Soundwalk is a new form of media, whereas one virtually interacts with his or her surroundings. How is it done? Easy, you purchase the walk, go to the starting point, put your headphones on, press play, start walkin..." soundwalk website

betaville

"“A living city is always in Beta. Let’s play.” That is the tagline of Betaville, a new “open source, multi-player environment for real cities” and the mantra of its developer, Carl Skelton, director of the Brooklyn Experimental Media Center (BxmC) at NYU Poly" via urbanomnibus

urban informatics

"So what exactly is urban informatics? Roughly said, the field includes a wide array of computation practices that are related to the shaping of city life. Topics vary from integrated software solutions that optimize high way traffic flows to the design of ‘smart public spaces’ to ‘citizen science’ projects that map pollution in a city neighborhood. Yet, urban informatics is not the same as urban computing. It is not so much about the technology (computing), but rather about its implications for (human) city life"  Martijn de Waal (mobile city)   image via Nicolas Nova

louisiana walk

"This is the first walk that really became a filmic soundtrack and it created a format or style that I have been experimenting with ever since. The narrative uses the device of a man offsite watching a surveillance video of a woman walking in the garden. This woman, my voice, communicates with him through the image he sees." from www.cardiffmiller.com

Max Neuhaus

"The first performance was for a small group of invited friends. I asked them to meet me on the corner of Avenue D and West 14th Street in Manhattan. I rubber-stamped LISTEN on each person's hand and began walking with them down 14th Street towards the East River." from www.max-neuhaus.info

aether9

"Aether9 is a collaborative art project exploring the field of realtime video transmission. It was initiated in May 2007 during a workshop at the Mapping Festival in Geneva, Switzerland. Developed by an international group of visual artists and collectives working in different locations (Europe, North and South America) and communicating solely through the Internet, Aether9 is a framework for networked video/audio performance, and the collaborative development of dramarturgical rules particular to Internet modes of communication."  aether9.org

loca lab

"Loca: Set To Discoverable enables people to question the networks they populate, and to consider how the trail of digital identities people leave behind them can be used for good or ill. It asks what happens when it is easy for everyone to track everyone, when surveillance is possible using consumer level technology within peer-to-peer networks without being routed through a central point?"  loc lab

walkspace

"A walk route is generated based on your current location. Each walk has waypoints along the route and as you navigate your route you will be given the option to take a photograph at each one which will then appear as a pop-up on tapping the waypoint pin. When the walk is completed you can share a map of the route of your walk and the photographs you took along the way by email." walkspace.org

the silence

"Launched at the Sonic Arts Expo and a pilot study in Boulder, Colorado. It enables you to capture and share your sonic experiences. You can record and collect sounds, create and share soundwalks and soundscapes, and use them as conversation pieces of a social dialogue about the places and communities in which we live and that we share. The result is an affective geography that changes over time according to participants' perceptions and interpretations of their environmental settings."

Thrift _ Beyond Mediation

Nigel Thrift
Beyond Mediation: Three Material Registers and their Consequences

"Though it is true that the surfaces of materiality are being changed in line with the interests of the powerful, I hope to have shown... that what is actually emerging is something much less direct and much more nuanced, a materiality which still retains spaces for contingency, complexity, and a sense of wonder." three material registers, p249

field works

"Field-Works" is a series of projects which reconstrusted collective memories into cyberspace as a kind of video archive by using position data captured by GPS and moving image captured by Video."  a Masaki Fujihata project

digital street corner

“The DIGITAL Street Corner” is not the kind of artwork that one simply looks at on the wall of a gallery or a museum. It’s an interactive environment that one can enter and explore from anywhere in the world. It’s an open window to an artistic net/work co-created in real time by people on the Internet."  fredforest, www.webnetmuseum.org

hyperhabitat

"Just like a digital network is made of nodes and connections, Guallart's model is a large-scale attempt to have all the elements of the physical world communicate with each other. The house functions as a small ecosystem, where each object is a piece of a widely distributed intelligence, able to interact with the others. Architecture becomes the interface that enables us to inhabit the world."  Regine, WeMakeMoneyNotArt

spatial information structures

"The impact of new information technologies on living space is explored here. We will construct real-scale prototypes in order to experiment with the integration of communication technologies into the physical spaces of the domestic environment by means of new interfaces using advanced data networks, integrating information into everyday life and approaching the construction of new spatial and information structures through the optimum combination of intelligent logic and physical form."  Metàpolis / MIT Media Lab / Fundació Politècnica de Catalunya / Escola Elisava / I2Cat.

place blogger

"Placeblogger is a site where you can search for local sources of news, information, and community near where you live, work and travel."  placeblogger.com

place and memory

"The Place + Memory Project is recreating those places from our past that made their mark on us–but no longer exist."  placeandmemory.org

networked cultures

"Networked Cultures investigates the cultural transformations under way in Europe through examining the potentials and effects of networked spatial practices. Based at Goldsmiths, University of London, the project collaborates with art, architectural and urban practices across Europe and beyond to look at ways in which contested spaces allow for a multi- inhabitation of territories and narratives across cultural, social or geographic boundaries."  networkedcultures.org

tactical media

"Tactical media plays with “the ambiguity of more or less isolated groups or individuals, caught in the liberal-democratic consensus, working outside the safety of the Party or Movement, in a multi-disciplinary environment full of mixed backgrounds and expectations.” It is also “about the art of getting access, hacking the power and disappearing at the right moment.” While “tactical media are opposition channels, finding their way to break out of the subcultural ghetto” it is also “a deliberately slippery term, a tool for creating ‘temporary consensus zones’ based on unexpected alliances." McKenzie Wark, Realtime Arts

sense of direction

"...Birds rely on the location of the sunset to deter-mine which way to fly. To maintain that heading throughout the night, they sense the Earth's magnetic field, just like a pilot uses a compass at night or in bad weather. "It is the simplest and most foolproof orientation mech-anism we can imagine," Wikelski said." by Steven Schultz

wayfinding

"The ideal wayfinding system dissolves into behaviour. It requires no inputs, and automatically knows our location and destination. Its feedback to us can take the form of subtle visual, audible or tactile cues – highlighting the path ahead on some display, or even providing a gentle tap on the shoulder when we move in the wrong direction." Johnny Holland.org

pachube

"Pachube is a web service available at http://www.pachube.com that enables you to store, share & discover realtime sensor, energy and environment data from objects, devices & buildings around the world. Pachube is a convenient, secure & scalable platform that helps you connect to & build the 'internet of things'." uh@pachube

pervasive information systems

"... digital activity is a layer in interface with the city. It’s not a separate virtual space, as some seem to think, but it’s augmenting our physical space. As he points out, we’re hardly going to change or destroy all these existing buildings and spaces anytime soon – urban form just doesn’t change that quickly, but the profound changes in the way cities feel and function may be in this internet-enabled informational layer." Dan Hill, City of Sound (Carlo Ratti Associati)

street theater

"NIGHT LIGHTS... pioneers the concept of a drive in stage... Drama by founder of Teatro Patologico portrays a precarious liaison between a female University professor and a male ex-convict in an urban street. Audience will view the live action from parked cars, listening with headsets." teatropatalogico.org

free visible network

"The Free Network Visible Network project, propose to make visible the interchanged information between computers of a wireless network connected to Internet. The main objective is to ask for the free access to the net and at the same time to make actions in the urban landscape as a way to create new meanings in the public domain. Our intention is to contribute to the re-definition and re-vitalization of the concept of public space through the creation of visible connectivity networks that mix the physical public space with the digital public space." lalalab.org

the unworkable interface

"The notion of the interface becomes very important for example in the science of cybernetics, for it is the place where flesh meets metal or, in the case of systems theory, the interface is the place where information moves from one entity to another, from one node to another within the system. " Alexander Galloway, The Unworkable Interface

cybernetic future

"Beesley is more concerned with modeling organic systems of behavior—processes of “communication and control,” to borrow a phrase from the cyberneticists of the 1940s and 50s.... This work is not meant merely to be looked at, but rather to act directly on the human occupant, evoking instinctive emotional responses." Joseph Clarke

anthony mcall

"In these works, the artist sought to deconstruct cinema by reducing film to its principle components of time and light and removing the screen entirely as the prescribed surface for projection. The works also shift the relationship of the audience to film, as viewers become participants, their bodies intersecting and modifying the transitory forms." Serpentine Gallery

jenny everywhere

"Jenny Everywhere is described both as existing in every reality and being able to shift between realities. This gives the character the ability to be inserted into the continuity of any existing or new work, such as various comics or webcomics. The concept may also be extended to other media as well." wiki

Corpus Extremus

"Stelarc’s video is one the more grisly highlights of “Corpus Extremus (LIFE+),” an exhibit about the wonders and horrors of “PostNatural History,” and the ways in which technology is blurring the traditional notions of life, death and identity." Dennis Overbye, nytimes

www.exitart.org/corpusextremus

hyperlocal

“Our democracy is based upon geography, and we believe local information is such a core need for our democracy to survive.” Gary Kebbel, Knight Foundation