"I will define transArchitectural Topography as the substrata or virtual/physical topography which underlie all connected virtual and physical spaces. transArchitectural Topography encompasses a physical location, virtual location(s), and any infrastructure that connects the two. Specifically, the transArchitectural Topography extends from a single physical space, into a single virtual space uniting the two."
michael ditullio, via marcos novak http://transtopography.blogspot.com
transarchitectural topography
Labels: novak, transarchitecture, virtual space
double negatives
"An attempt to extract autonomous architecture responding to the environment through information network: Yamaguchi Center for Arts and Media (YCAM) holds a new installation“Corpora in Si(gh)te” by “doubleNegatives Architecture.” doubleNegatives Architecture is an architectural group who is engaged in crossover activities in a new area of architecture, making good use of various media and information technologies."
Labels: augmented reality, crossover, media
haecceity
"You are longitutde and latitude, a set of speeds and slownesses between unformed particles, a set of non subjectified affects. You have the individuality of a day, a season, a year, a life (regardless of its duration) - a climate, a wind, a fog, a swarm, a pack (regardless of its regularity). Or at least you can have it, you can reach it." Delueze and Guattari, A Thousand Plateaus
motion perception
"The simplification of space in Three Studies of Lucien Freud, (1969) is a necessary and typical element of all his images. With a more complex elaborated environment, the bodies would become more specifically disfigured rather than contorted by painterly motion being stretched towards its limit." Michael Betancourt ctheory.net
Labels: bacon, motion, painting, perception
contour
"The contour in Francis Bacon is what Deleuze describes as a "place of an exchange in two directions: between the material structure and the Figure, and between the Figure and the Field. The contour is like a membrane through which double exchange flows" (13). This exchange links the different aspects of the painting together in a way that subverts narrative: "If a painting has nothing to narrate and no story to tell, something is happening all the same, which defines the functioning of the painting" (13). The contour in Bacon's paintings establish a relationship through which things are linked together." Lindsey Collins nwe.ufl.edu