the political economy of music

"Attali's essential argument in Noise: The Political Economy of Music is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For Marxist critics, this idea is nothing new. The novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place."  jameson via wikipedia, noise:the political economy of music (image: thurston moore, brooklynpaper)

public surveillance

"Surveillance of the public now extends well beyond video cameras to include vast systems of identification, data monitoring, and tracking. Public surveillance technologies are increasingly embedded in urban infrastructures, transportation systems, cell phones, identification documents, computer programs, televisions, medical and consumer products, and much more. Perceiving everyday technologies as “surveillance” requires a shift in dominant perspective, drawing attention away from supposedly isolated artifacts or experiences and toward larger socio-technical assemblages and power relations." Vanderbilt