"Whereas many artists... were working to metaphorically "break down" the limits of the gallery wall, Gary Hill, in his first video installation, did so concretely. Using a video camera, Hill framed part of the surface of an outside wall to the same size as a monitor. He then recorded himself as he cut into the various layers of the wall until he broke through to the other side. The videotape of that process was then replayed on a monitor placed in the hole he had created." Cleveland Museum of Art
hole in the wall
Labels: gary hill, gordon matta clark, surveillance, video art
the emancipated spectator
"We should never forget this first statement of the issue which still underpins in fact all the critiques of theatre and all the wills to change theatre. Theatre is the transmission of the disease of passivity through the disease of looking. It is easy to find this original pattern underpinning theories as different as Brecht’s epic theatre or Artaud’s “theatre de la cruauté” . What Brecht stigmatizes is the theatrical illusion which keeps the spectator in a state of hypnotism and passivity. And he calls for an active spectator, meaning a knowledgeable spectator who refuses identification takes distance from what he sees and asks why it is so . What Artaud disparages is a theatrical practice which leaves the spectator untouched, passive. And he calls for a spectator who becomes a participant in the magical or hypnotic process of identification. The solutions are opposing but they grapple differently with the same problem : turning the passive spectator- the spectator who only sees - into an active participant...." Jacques Rancière Frankfurt , August 2004
Labels: actor, spectacle, spectatorship
sleepwalkers in amsterdam
"...Nearuki (sleepwalkers), a series of slowmotion videoes of people crossing a street (one of the sequences is also in Night for Day). It was interesting to see how the slow movements interacted with the busy indoor space, and how it reflected onto the city outside." 2007 hc gilje
Labels: digital window, max, mediascapes, outdoor projection
relief projection
"I think the most spectacular callibration solution so far is the “automatic projector calibration with embedded light sensors” (pdf), a collaboration between people from Carnegie-Mellon, Mitsubishi Electric Research Lab and Stanford. They use fiberoptics and light sensors built into the objects/surfaces to be projected on, and by projecting a series of grey coded binary patterns, a custom-made software is able to adjust the image in less than a second to perfectly fit the projectionsurface." 2008 — hcgilje
Labels: callibration, max, mediascapes, outdoor projection